CONDO UNIT

Raster is among nine renow­ned gal­leries from Europe and Middle East to take part in the Condo Unit show in Athens.

BOTTLENECK: THE AVANT-GARDE AND ALCOHOL

Łukasz Gor­czyca and Łukasz Ron­duda discuss art, vodka, and the back­stage of artistic life from the 1960s to the present, in a col­lec­tion of interviews with 14 artists from several generations, from Jerzy Bereś to Woj­ciech Bąkowski.

Zbigniew Rogalski
Lightnings

The theme for the series, a thun­der­storm, weaves together with the matter of the white thread used for the embroidery of light­nings. It was done using embroidery hoops used in traditional handicraft.

Zbigniew Rogalski
Tears

The piece was created in col­laboration with Bytom label who sup­plied the flowing band of wool­len black fabric and produced the embroidery. It refers to the cinema screen and its rol­ling credits, as seen through eyes glassy with emotion.

Slavs and Tatars
Qatalogue

ORNO. Luźne wątki

W ramach kolej­nej odsłony cyklu ORNO, dedykowanego spółdzielni jubiler­skiej, która przez kilkadziesiąt lat użytkowała lokal przy Wspólnej 63 – obecną siedzibę Rastra – prezen­tujemy prace współczesnych artystów wykorzystujące tkaninę – materię ściśle związaną z tzw. sztuką użytkową.

Przemek Matecki
Rafał Bujnowski
Slavs and Tatars
COSMOSCOW

Raster at COSMOSCOW fair in Moscow: Rafał Buj­now­ski, Prze­mek Matecki, Slavs and Tatars

Aneta Grzeszykowska
& Jan Smaga
Private Archive

A joint col­lec­tion of photographs to which Grzeszykow­ska and Smaga refer to as their “private archive” is on the one hand a peek into the back­ground of the couple’s artistic prac­tices, on the other—provides an indelible record of life in such a partnership.

Aneta Grzeszykowska
Nobuyoshi Araki, Aneta Grzeszykowska, Eva Koťátková
FOREIGN BODIES

Contemporary visual cul­ture treats the body as a plastic material that can be formed, shaped, distor­ted and defor­med as needed or desired. The images gathered for our exhibition are a special col­lec­tion of such bodies sub­jec­ted to various treat­ments and forms of sub­duing and con­trol­ling the body.
The cosmetic masks photographed by Grzeszykow­ska effec­tively reshape the artist’s face. The school les­sons in anatomy in Koťátková’s col­lages results in decon­struc­tion of the holistic unity of body and psyche. Araki’s nudes fran­kly address sexual prac­tices groun­ded in domination.

Michał Budny
Message

The only exam­ple still for sale of the excep­tional early sculp­tural works by Budny that laun­ched the artist’s inter­national career.

Oskar Dawicki
Balance Practice

In a series of self-​portrait drawings the artist depic­ted him­self in his signature blue jacket, pul­ling on one end of a rope. The other end of the rope is in fact real and attached to each drawing’s frame, with dif­ferent objects such as empty vodka bot­tles, ziploc bags with money or candy dan­gling from it and thus set­ting its balance.

Slavs and Tatars
The Inrising

The mythical Per­sian bird replaced the Polish royal eagle in a symbol of solidarity.

Slavs and Tatars
Germans, Slavs, and Tatars

An exhibition by Slavs and Tatars opened at Dresden’s Alber­tinum museum under the melodious title Made in Dscher­many. The main theme is German Orientalism—the ties between German cul­ture and Islam—and the key is in the first four let­ters of the title: DSCH.

Oskar Dawicki
Slavs and Tatars
LISTE

Raster at LISTE in Basel: Oskar Dawicki, Honorata Martin, Slavs and Tatars

Olaf Brzeski
Przemek Matecki
Slavs and Tatars
Zofia Rydet
Tbilisi Art Fair

Raster at Tbilisi Art Fair: Olaf Brzeski, Prze­mek Matecki, Zofia Rydet, Slavs and Tatars.

Slavs and Tatars
Behind reason

Seria wydruków zgłębiająca często zanie­dbywany temat mistycz­nego wymiaru nowoczesności stworzona została w ramach “Beyonsense” – indywidual­nej wystawy Slavs and Tatars w Museum of Modern Art w Nowym Jorku.

Olaf Brzeski
Fables for Robots

Olaf Brzeski is the author of set design and costumes for “Fables for Robots” play direc­ted by Agnieszka Olsten.

Olaf Brzeski
The Adventures of the Boiling Head

Aneta Grzeszykowska
Grzeszykowska’s room of her own in Bremen

The Weser­burg modern art museum in Bremen, Ger­many, is showing a number of photos by Aneta Grzeszykow­ska from the Negative Book series in the museum’s “Artists’ Rooms” program.

Olaf Brzeski
Bend of Black Thought

This unique object of pain­ted black steel, attached to the ceiling, evokes a cer­tain state of mind of the artist.