Rafał Bujnowski
Ultra Black

A col­laborative fashion-and-art project between Rafał Buj­now­ski and Bytom, Polish luxury men­swear label. A full range cap­sule col­lec­tion is laun­ched in limited edition to celebrate the encoun­ter of con­tem­porary Polish art and fashion. 

Przemek Matecki
Small Paintings

Matecki gives new life to reproduc­tions from exhibition catalogs and art magazines, trans­for­ming them into puz­zling, witty miniature oil pain­tings, with a format not exceeding a frame of a 20×20 cm square.

Rafał Bujnowski
Windows

A series of 110 x 110 cm and 50 x 50 cm pain­tings from autumn 2017.

Oskar Dawicki
Oskar Dawicki
MARY

Oskar Dawicki, a literary and film figure, an artist known as a prac­titioner of total per­for­mance, presents this time a dys­topian nar­rative: a kind of script, or more precisely a recon­struc­tion, of a per­for­mance originally direc­ted in a dream. The cen­tral figure in his vision is a pregnant woman, the heroine of our times, nourisher of the unborn but also caretaker of the dead. As befits a doub­ting artist, the world of his creation is full of ambivalence.

Aneta Grzeszykowska
Michelle Rawlings
Przemek Matecki
Rafał Bujnowski
NADA Miami

Raster at NADA Miami: Rafał Buj­now­ski, Aneta Grzeszykow­ska, Prze­mek Matecki, Michelle Raw­lings, Mika Tajima. Booth #3.07

Mika Tajima
AIR

Sourced from the mul­tiple architec­tonic and tech­nological realities that exist in Warsaw, the sub­jects of Tajima’s exhibition—machine, book, and body—are unseen. Instead they provide the under­lying tech­nical material for the hardware-​laden sculp­tures and abs­tract woven textiles in AIR. Together the objects intimate a still obstinate and unreadable body in trans­for­mation. Skin per­forated. Mind laced. Input ready. Con­figured for performance—work, pleasure, war. Not yet fully machine.

The exhibition at Raster will be the first individual show of the artist’s works in this part of Europe, premiering Sep­tem­ber 2017 as part of Warsaw Gal­lery Weekend.

Slavs and Tatars
“Mouth to Mouth” in Vilnius

After being shown at Ujaz­dow­ski Castle Centre for Con­tem­porary Art, Warsaw, Pejman Foun­dation, Tehran, and SALT Galata in Istal­bul, the collective’s first mid-​career survey “Mouth to Mouth” is presen­ted at CAC Vilnius.

Przemek Matecki
Betty

Michelle Rawlings
Untitled

The sour yellow color used in this textured piece was inspired by the aesthetics of the 60s and 70s.

Michelle Rawlings
Dividers

The intimate scale of the objects, modeled on the struc­ture of room dividers under­lines the idiosyn­cratic and imprac­tical nature of these items. The pain­tings they’re com­posed of are made of silk, hand-​embroidered, pain­ted and printed.

Slavs and Tatars
Mouth to Mouth

The collective’s first monograph inc­ludes all major art works, publications and lecture–performances from the past ten years, assem­bled in one volume.

Krzysztof Pruszkowski
Barrier

In 1977, Krzysz­tof Prusz­kow­ski, a Polish-​born photographer residing in France today, was not yet a legal resident. As a man without a coun­try, he began a project that bore the stark, Polish title Barierka (Bar­rier). Over several months, he produced a few hun­dred black-and-white photographs depic­ting the streets of Paris, cut off at various angles by the metal bloc­kades residents have come to know so well. The exhibition of photographs and album reveal a series of images as in a silent film, with only one hero – barierka in the title role.

Michelle Rawlings
Przemek Matecki
viennacontemporary

Raster at vien­nacon­tem­porary fair in Vienna

Janek Simon
Rafał Bujnowski
Slavs and Tatars
Zbigniew Libera
COSMOSCOW

Raster at COSMOSCOW fair in Moscow: Rafał Buj­now­ski, Karolina Jabłońska, Zbigniew Libera, Janek Simon, Slavs and Tatars

Slavs and Tatars
“Mouth to Mouth” in Istanbul

After being shown at Ujaz­dow­ski Castle Centre for Con­tem­porary Art, Warsaw and Pejman Foun­dation, Tehran, the collective’s first mid-​career survey “Mouth to Mouth” is presen­ted at SALT Galata.

Michelle Rawlings
Michelle Rawlings
GIRL TALK

Rawlings seeks in her work a new, con­tem­porary female iden­tity: creative, sub­jec­tive, intuitive, and per­fec­tly at home in the digital world. Her intimate pain­ting com­bines visual bril­liance and mul­tiplicity with reticent con­tem­plation.
The main element of her “Girl Talk” exhibition is an instal­lation prepared from a range of objects of varying sizes modeled on the struc­ture of room dividers. The pain­tings accom­panying these sculp­tural pieces are made of silk, hand-​embroidered, pain­ted and prin­ted, in the spirit of a diary of images. The exhibition is com­pleted with charac­teristic, small easel pain­tings by Raw­lings, a con­tinuation of her intimate color studies.

Karolina Jabłońska
GIRL OR TIGER