Brzeski, Olszowy and Slavs and Tatars in museum collections

We are pleased to report that in 2022 works by Olaf Brzeski, Dominika Olszowy, and Slavs and Tatars joined impor­tant public collections.

Slavs and Tatars
Story in The New York Times

The New York Times has published a profile of the col­lec­tive Slavs and Tatars under the inspiring title “These Artists Bring Pic­kles to the Party.”

200 REVELATIONS

The new exhibition is devoted to the grey areas of the imagination—religious fervour and visions arising from an excess of metaphysical stimuli or, on the con­trary, from a scar­city of such stimuli and a lon­ging for spirituality in a world dominated by the economics of everyday pragmatism.

Aid For Ukraine: For Your Freedom and Ours

Slavs and Tatars at the OP ENHEIM

Slavs and Tatars’ individual exhibition in Wrocław LONG LVIVE LVIV. СЛАВА ЗА БРЕСЛАВA refers to the history of the city, con­tem­porary migrations and the scien­tific heritage of the Lviv school.

Kebabs with Slavs and Tatars

An exhibition by the col­lec­tive Slavs and Tatars at the Kun­sthalle in the German city of Osnabrück.

Slavs and Tatars for the first time in France

The first solo exhibition of Slavs and Tatars in France is taking place at the Villa Arson in Nice.

Folklore in Metz

Works by Janek Simon and by Slavs and Tatars are being shown at the Centre Pom­pidou in Metz at the museum’s exhibition Folklore.

Slavs and Tatars – Ogórek Trocki and Pani Chrzan in Toronto

The Pickle Politics show by Slavs and Tatars laun­ches the exhibition activity of Sugar, a new curatorial project in Toronto.

Slavs and Tatars at the Venice Biennale

Slavs and Tatars are par­ticipating in the main exhibition of 58th Venice Biennale.

Slavs and Tatars in Minsk

“Movaland” exhibition by Slavs and Tatars at Ў Gal­lery in Minsk, Belarus.

Germans, Slavs, and Tatars

An exhibition by Slavs and Tatars opened at Dresden’s Alber­tinum museum under the melodious title Made in Dscher­many. The main theme is German Orientalism—the ties between German cul­ture and Islam—and the key is in the first four let­ters of the title: DSCH.

Wripped Scripped

The “Wripped Scripped” book by Slavs and Tatars, offers a jour­ney into the sound world of nasals and voiceless gut­turals, sup­plemen­ted this time by an analysis of the con­sonant dʒ (the German tetragraph dsch).

Slavs and Tatars in Münster

On the occasion of their first solo institutional exhibition in Ger­many, the artists turn to the enig­matic writer and philosopher Johann Georg Hamann.

“Mouth to Mouth” in Vilnius

After being shown at Ujaz­dow­ski Castle Centre for Con­tem­porary Art, Warsaw, Pejman Foun­dation, Tehran, and SALT Galata in Istal­bul, the collective’s first mid-​career survey “Mouth to Mouth” is presen­ted at CAC Vilnius.

“Mouth to Mouth” in Istanbul

After being shown at Ujaz­dow­ski Castle Centre for Con­tem­porary Art, Warsaw and Pejman Foun­dation, Tehran, the collective’s first mid-​career survey “Mouth to Mouth” is presen­ted at SALT Galata.

Slavs and Tatars in Teheran

Slavs and Tatars’ mid-​career survey “Mouth to Mouth” evolves into “Nose to Nose” in Teheran

Slavs and Tatars with Audience Award for Preis der Nationalgalerie 2015

We’re happy to inform that Slavs and Tatars won the audience award in the National­galerie con­test for young artists

Slavs and Tatars in Abu Dhabi

One of the big­gest solo exhibitions by Slavs and Tatars so far – Mir­rors For Prin­ces – in Abu Dhabi’s NYU Art Gallery.

Warm autumn with Slavs and Tatars

The autumn of 2014 was teeming with good news for Slavs and Tatars: after two critically acc­laimed solo shows in Kun­sthalle Zurich and Dallas Museum of Art, Raster presen­ted collective’s works at Frieze Art Fair London where their “Love Letter (No. 7)” tapestry was acquired by Tate.