Portraying a couple of people returning home after work, Edward Dwurnik blurs the boundary between what is lofty and banal, symbolic and prosaic.
The painting belongs to the Workers series, in which Dwurnik portrays the “working class” of the PRL times.
The painting belongs to the Sportsmen series. Edward Dwurnik does not avoid bluntness and naturalism.
A view of the surrounding reality from the perspective of a drunk man kneeling alone in the crowd