The presen­tation brings together the latest photography project from Aneta Grzeszykow­ska (b. 1974) and new sculp­tures by Olaf Brzeski (b. 1975). The common denominator of their works is the exploration of the whim­sical nature of sculp­tural objects – with Grzeszykowska’s use of photography to document ephemeral objects and Brzeski’s reduc­tion of a figure into an illusory, three-​dimensional drawing.
Grzeszykow­ska is con­sistent in the way she works with her own image, the iden­tity of a woman-​artist, and various aspects of the body’s decon­struc­tion. Her ‘Selfie’ project is a radical exer­cise in sculp­ture; the artist made accurate models of her own body out of pig­skin and photographed them before they decomposed.
Brzeski is the author of airy sculp­tures com­posed of narrow steel pipes which imitate blades of hay. These figures, drawn in mid-​air, refer to the realm of hal­lucination. Uncanny charac­ters con­jured up by the artist have their coun­ter­part in his astonishing methods of wor­king with his material, sub­jec­ting traditional qualities of sculp­ture such as weight, texture and den­sity to reinterpretation.
See press clip­pings from City Magazine and Hong Kong Economic Times.

此文稿匯集了Aneta Grzeszykow­ska (生於 1974) 的最新攝影專題和Olaf Brzeski (生於 1975) 的最新雕刻品。他們作品的共同點就是對雕塑那異想天開的探索 – Grzeszykow­ska 使用攝影去記錄短暫的物件和Brzeski的人體簡約主義進入一個虛幻的三維圖。

Grzeszykow­ska 常運用自身的形象,以一位女性藝術家的身份和人體解構各方面制作作品。她“自拍”的專題更是一個激進行為的雕塑;藝術家精確地使用了她自己的身體做了豬皮模型後,在分解前紀錄下來。



At Art Basel Hong Kong Raster will present works by Olaf Brzeski and Aneta Grzeszykowska. Join us at booth 1C46 in the Discoveries section.



Hong Kong Convention and Exhibition Center, Hong Kong