Metaphorically and seasonally, the exhibition 1000 Hands suits the climate of the pre-spring thaw, illuminating a landscape of exhaustion and approaching, intuitively sensed change. In Polish literature this metaphor carries a political dimension. In the works shown together here by Rafał Bujnowski (1974–), Peter Puklus (1980–) and Zofia Rydet (1911–1997), what is vital is the very process of transformation, and the accompanying ambivalence, the temperature of interpersonal relations and the potential of the human hands from the title.
Joint exhibition of Rafał Bujnowski and Michelle Rawlings is organized by Raster in Tokyo’s Shibuya Hikarie
Warsaw Gallery weekend 2016
The works of Rafał Bujnowski continually engage in a dialogue with the fundamental properties of painting. The artist is interested in what paintings are essentially for, how they function in architectural and social space, but also the manner of their creation. These considerations have led him to radical solutions and far-reaching formal restraint. The phenomenon of his painting consists in the constant balancing between representation and the illusion of representation. The painting process, often purely mechanical, leads to surprising results and launches another, symmetrical, process of reading the completed painting, which depends on the variable lighting, distance, and the involvement of the viewer.
A premiere of a new series of graphics or rather an abstract linocut wallpaper by Rafal Bujnowski in Berlinskej Model gallery in Prague