EXHIBITIONS IN POLAND
“The future is dark, which is the best thing the future can be, I think.”
The new exhibition is devoted to the grey areas of the imagination—religious fervour and visions arising from an excess of metaphysical stimuli or, on the contrary, from a scarcity of such stimuli and a longing for spirituality in a world dominated by the economics of everyday pragmatism.
Riga International Biennial of Contemporary Art
Dominika Olszowy takes part in the second edition of the biennial in Riga. Her project consists of two parts presented in the Latvian capital and an installation prepared at Raster.
warsaw gallery weekend 2019
This exhibition designed especially for the Raster space peers out from a dark lining of domesticity. Using hybrid objects and sculptures, disturbing images and mysterious passages, Olszowy creates her own vision of home.
warsaw gallery weekend 2018
The post-romantic figure of the drunken artist is fading into the past, leaving behind a landscape littered with hallucinations, depravity, and shattered illusions. This is the story of the intimate ties between contemporary art and vodka. Conceived as a medley of artworks and documentary content, the exhibition features Krzysztof M. Bednarski, Olaf Brzeski, Michał Budny, Rafał Bujnowski, Oskar Dawicki, Edward Dwurnik, Władysław Hasior, Jerzy Lewczyński, Honorata Martin, Dominika Olszowy, Zbigniew Rogalski, Wilhelm Sasnal, and others.
This exhibition takes place in a country whose society has a rather poor opinion of itself. The society is mean, the society is aging, and the force which is driving us toward all this is the progressive stabilization, which seems to have effectively conquered us after years of fighting on various fronts. Life in Poland has become terrifyingly ordinary. The works making up the Society Is Mean exhibition are not essentially asocial, but they do brilliantly render the distance between the individual and the society around him or her. The artists whose works we are presenting give us a wholesale revision of this consensus; the sphere of their confrontation with society is its language, its living space, and its dominant, stereotypical interpersonal relationships.