In her works, Aneta Grzeszykow­ska com­bines per­for­mance, photography, hand-​sewn objects, but also specific materials (animal skins) and family mem­bers. The protagonists of the exhibition are the artist and the dogs she lives with, but also anonymous farm animals, which humans have strip­ped of their sub­jec­tivity. In a manner charac­teristic of her creative prac­tice, Grzeszykow­ska radicalizes and rever­ses the domesticated, anth­ropocen­tric order in force between species. Karma is a nar­rative of animalization, but also the per­sonification of bodies reduced to the role of objects. Here, animals acquire human traits, while the artist reveals her fleshy essence, creating a new kind of com­munity bound by body and karma. The object is equated with the sub­ject, the dead with the living, the human with the animal, and spirituality with physiology.