Aneta Grzeszykowska
Existence

Aneta Grzeszykow­ska, who under­went gym­nastics training during her school years, also uses her own body as a tool, creating filmic choreographies and political posters with it. Ist­nienie emer­ged in the wake of the Women’s Strike protests, but it also func­tions as a form of existen­tial training, promp­ting reflec­tion on the inseparability of lan­guage, con­sciousness, and its bodily vessel.

Aneta Grzeszykowska
Temporary Photo Tattoos

Do you also sometimes get goosebumps at the sight of Aneta Grzeszykowska’s photographs? This extraor­dinary artist treats the body as an illusionistic vessel for life. Now her art will touch you in the most literal way through the photo tat­toos created by Grzeszykow­ska. A leather head in a mask is a camouflaged self-​portrait of the […]

Aneta Grzeszykowska
Terror

The latest, typo-photo-graphic per­for­mance by Aneta Grzeszykow­ska is an up-to-date political choreography. Using excerpts from her film works, the artist prepared an effec­tive screenprint.

Aneta Grzeszykowska
Untitled

The self-​portrait was placed on a poster for a produc­tion of “The Gor­gonowa Affair” at the Stary Theatre in Kraków.

Aneta Grzeszykowska
& Jan Smaga
Private Archive

A joint col­lec­tion of photographs to which Grzeszykow­ska and Smaga refer to as their “private archive” is on the one hand a peek into the back­ground of the couple’s artistic prac­tices, on the other—provides an indelible record of life in such a partnership.

Aneta Grzeszykowska
FRAU (Birgitt Jürgenssen)

(Polski) Grzeszykow­ska w swoim fotomontażu aktualizuje kon­cep­tualne studium autor­stwa Bir­gitt Jürgenssen z 1972 roku.

Aneta Grzeszykowska
DOLLS CATALOGUE

Aneta Grzeszykowska
Private Archive (Face)

(Polski)

Aneta Grzeszykowska
Private Archive (Bust)

Aneta Grzeszykowska
Klara and Jan