
‘The Drunkard’s Dog’ is a twofold exhibition: in two symmetrical gallery spaces of GGM2 Rafal Bujnowski and Oskar Dawicki present their own interpretation of a tough relation between an artist and his art. In both cases the reflection is hallmarked by melancholy and a critical analysis of own work.
Bujnowski, along with patchwork-like paintings from the ‘Rubbish’ series and compressed canvases from ‘Wrong Works’, prepared a monumental and extraodrinary lead window.
Dawicki, along with his ‘written drawings’ and a surprising, almost intimate ‘Butterflies in the Stomach’ composition, prepared a premiere of an installation made up of several dozen of lightbulbs filled with black paint, inspired by an iconoclastic attack on The Black Madonna of Częstochowa painting in Autumn 2012.