Marcin Maciejowski
Poster “Are You Really from the Art World”

Based on the pain­ting: Marcin Maciejow­ski “Are You Really from the Art World”, 2009, oil on canvas, 130 × 140 cm

Edward Dwurnik
“Vodka and Death” and “Only Vodka”

Album Wor­kers, published by the Edward Dwur­nik Foun­dation, in a special collector’s edition with an original print signed and stam­ped by the artist. There is a choice of two works—Vodka and Death or Only Vodka—from the Wor­kers series.

Marcin Maciejowski
I Have Yet to See

Signed print by Maciejow­ski in a limited edition of 25, based on his 2022 drawing I Have Yet to See, in a format of 100 × 70 cm, priced at PLN 3,200 is available at Raster.

Slavs and Tatars
“Simurgh Self-Help” Merch Drop

Part of the show Simurgh Self-​Help is the new merch drop py Slavs and Tatars, inc­luding caps, T-shirts and leg­gings in various colour­ways, featuring themes and slogans from the show: Simurgh—See More. Merch is available exc­lusively at Raster during the exhibition, until July 6, 2024.

Marcin Maciejowski
Poster “Raphael by Maciejowski (The Impression of Possession)”

At the Raster book­store we recom­mend a new item: a poster by Marcin Maciejow­ski based on his own pain­ting Raphael by Maciejow­ski (The Impres­sion of Possession).

Slavs and Tatars
Mouth to Mouth

The collective’s monograph inc­ludes all major art works, publications and lecture–performances from the past ten years, with a special screen­print by Slavs and Tatars in limited edition of 100 copies.

Aneta Grzeszykowska
Terror

The latest, typo-photo-graphic per­for­mance by Aneta Grzeszykow­ska is an up-to-date political choreography. Using excerpts from her film works, the artist prepared an effec­tive screenprint.

Slavs and Tatars
Aid For Ukraine: For Your Freedom and Ours

Karolina Jabłońska
Untitled

Karolina has prepared a special limited series of 30 unique works on paper, which are offered for sale along with the book “Made-Up Story”.

Edward Dwurnik
Posters

Original posters by Edward Dwur­nik from the 1980s, which accom­panied individual shows by the artist. The expres­sive style of these works and the spareness of their prin­ting per­fec­tly cap­ture the specific climate of the crisis decade of mar­tial law, strikes, and the dawn of the Polish transformation.

Aneta Grzeszykowska
Untitled

The self-​portrait was placed on a poster for a produc­tion of “The Gor­gonowa Affair” at the Stary Theatre in Kraków.

Błażej Pindor
Waldemar Baraniewski
Pałac w Warszawie

“Pałac w War­szawie” by Wal­demar Baraniew­ski, a book from our architec­tural Warsaw series of publications, with a special photograph by Błażej Pindor in limited edition of 30 copies.

Jan Smaga
BYT

A series of black and white photographs showing figures “found” in the shape of bran­ches, made of sticks, gras­ses, hay.

Karol Radziszewski
Untitled (Pink Narcissus)

Queer ver­sion of Edward Krasiński’s mirror with his legen­dary Scotch Blue.

Błażej Pindor
Gutt’s Warsaw

“Romuald Gutt’s Warsaw” by Błażej Pindor, a book from our architec­tural Warsaw series of publications, with a special photograph by the artist in limited edition of 30 copies.

Zbigniew Libera
Photographs

Collector’s edition of Zbigniew Libera’s “Photographs” album with a limited edition miniature format of his “First Day of Freedom” 2012 photograph.

Aneta Grzeszykowska
& Jan Smaga
Private Archive

A joint col­lec­tion of photographs to which Grzeszykow­ska and Smaga refer to as their “private archive” is on the one hand a peek into the back­ground of the couple’s artistic prac­tices, on the other—provides an indelible record of life in such a partnership.

Michał Budny
Message

The only exam­ple still for sale of the excep­tional early sculp­tural works by Budny that laun­ched the artist’s inter­national career.

Slavs and Tatars
Behind reason

A series of prints on the over­looked story of mysticism within moder­nity, made to accompany Beyonsense, Slavs and Tatars’ Projects 98 exhibition at the Museum of Modern Art in New York.

Piotr Uklański
Untitled (W pustyni i w puszczy)

Zbigniew Libera
Photographs

A limited edition of Zbigniew Libera “Photographs” album with an original 2004 photograph by the artist, signed and num­bered on the back.

Maciej Sieńczyk
Untitled

Maciej Sieńczyk
Untitled

Slavs and Tatars
Ogórek Trocki

Slavs and Tatars call for a rescue of the 400-year-old Trakai cucum­ber which sadly didn’t survive the second World War.

Michał Budny
Cover

A series of 10 unique book covers made by the artist for his first monographic publication.

Olaf Brzeski
Lion

(Polski) Znany z per­skiej mitologii motyw lwa pożerającego wojow­nika prze­niesiony w świat współczesnych kolek­cjonerów sztuki.

BRZESKI GRZESZYKOWSKA KOROLCZUK KWIEKULIK MILACH

New editions by Brzeski, Grzeszykow­ska, Korol­czuk, KwieKulik and Milach

Aneta Grzeszykowska
FRAU (Birgitt Jürgenssen)

(Polski) Grzeszykow­ska w swoim fotomontażu aktualizuje kon­cep­tualne studium autor­stwa Bir­gitt Jürgenssen z 1972 roku.

Rafał Milach
From the “In the Car with R” series

(Polski) Fotografia powstała pod­czas wyprawy artysty do Islan­dii i przed­stawia hydroelektrownię Karahn­jukar położoną w odległym, przy­lodow­cowym terenie.

Milena Korolczuk
From the “Ephemerophytes” series

(Polski) Artystka aranżuje misterne kom­pozycje lewitujących, polnych kwiatów polnych z osobistym, metaforycz­nym podtekstem.

KwieKulik
(Polski) Sztuka z nerwów. Sztuka jeszcze raz to samo. Sztuka wyrywania zębami tego co się należy

(Polski) Seria trzech oryginal­nych stem­pli z lat 1970. z hasłami ze słownika KwieKulik.

Olaf Brzeski
To Do Good

A graphic prepared on the occasion of Megalomania – an exhibition by Olaf Brzeski at Raster.

Slavs and Tatars
Larry Nixed, Trachea Trixed

Larry nixed, Trachea trixed looks at various attempts to Cyril­licize sounds or phonemes that did not previously exist in the Rus­sian Cyril­lic alphabet, one of many attempts to extend or embed Soviet influence.

Oskar Dawicki
Money Flux

Błażej Pindor
Objects and Poses

Limited edition of photographic prosters by Błażej Pindor

Błażej Pindor
Pałac Kultury i Nauki (portfolio)

Aneta Grzeszykowska
DOLLS CATALOGUE

Kuba Dąbrowski
Podlaski niebieski

The first collector’s port­folio of Kuba Dąbrowski entitled ‘Podlaski niebieski’, an out­stan­ding photographer of everyday life, and one of the most influen­tial artists in the generation of today’s thirty-​somethings.

Zbigniew Rogalski
Warsaw

Oskar Dawicki
Desecrator’s Gymnastics

The edition features three photographs from Dawicki’s large-​scale series, in which he car­ries out a display of appropriating and degrading of one of the most significant figures of con­tem­porary Polish art – the vic­tims of Andrzej Wróblewski’s Executions.

Zbigniew Libera
The Messenger Girl

The port­folio con­tains 12 photo mon­tages originally featured in the book “What is the mes­sen­ger girl doing”. Libera incor­porates the figures and faces of 20th cen­tury movie stars into the scenery of the Warsaw Uprising.

Slavs and Tatars
Za naszą i waszą wolność

This famous quote, used during the Novem­ber Uprising (1831) in Poland and traditionally attributed to Joachim Lelewel, func­tioned both in Polish and Rus­sian to under­line that the Polish uprising was direc­ted against the tsarat authority and not the Rus­sian people.

Zbigniew Libera
First Day of Freedom

Libera measures up to the night­marish visions of the future by illustrating fan­tasies, dreams and fears that arise in our con­siderations of what the future has to hold.

Zbigniew Libera
African Tales by Shakespeare

Libera refers to the history of photography, anth­ropology and colonialism to create an evocative por­trait of the ‘savage’ Europeans.

Oskar Dawicki
Caprice

The artist placed a vase filled with his own used tooth­brushes on the piano that stood in the exhibition space of the Polish Cul­tural Institute in Paris.

Oskar Dawicki
After Christmas Forever

Oskar Dawicki
Poster from the Broken Movie exhibition

Oskar Dawicki
Cannabis Polonica Legalis – Olim Ficus Elastica Robusta

The series of photographs documents an ear­nest attempt to legally cul­tivate a marihuana plant at home. The leaves of a ficus plant were cut to replicate the shape of a can­nabis plant.

Oskar Dawicki
Initials

A piece of card­board covered with rat poison in the shape of the artist’s initials. Usually presen­ted in several copies, placed on the floor and in the cor­ners of the gal­lery. Depen­ding on the type of chemical available in local stores it can have various colors and shapes.

Aneta Grzeszykowska
Private Archive (Face)

(Polski)

Aneta Grzeszykowska
Private Archive (Bust)

Tomasz Kowalski
Untitled

Aneta Grzeszykowska
Klara and Jan

Slavs and Tatars
Slavs

An attempt to deliver pan-​Slavism from the jaws of nationalism.

Twożywo
Milk/Blood

Honza Zamojski
How It’s Made

Michał Wasążnik
Festiwal Muzyków Rockowych w Jarocinie

Honza Zamojski
ANAKONDA. FONT SPECIMEN

Janek Simon
Vision Analysis

CROSSES

Bartek Materka
REAR WINDOW

A selec­tion of film sket­ches from Bartek Materka.

Michał Budny
July

An abs­tract calen­dar page com­posed by the artist using two sheets of thin paper and adhesive tape.

Zbigniew Rogalski
Moebius Strip

Maciej Sieńczyk
Untitled

Maciej Sieńczyk
Magical Lock of Hair

Krzysztof Bednarski
Pomnik młota

(Polski)

Maciej Sieńczyk
(Polski) Burłacy

Janek Simon
PIT (Personal Income Tax) 2011

(Polski) Plastyczna inter­pretacja zeznania podat­kowego artysty za rok 2011, opracowana przy użyciu tech­nik wizualizacji danych i wykonana własnoręcznie z kolorowego plexiglasu.

Wilhelm Sasnal
South of the Sky, from the series “Posters from the Past and the Future”

Poster from the series designed by Sasnal for his own exhibitions, which took place till 2003, as well as for projects that might happen in future.

Zbigniew Rogalski
Little Dipper, Big Dipper

Oskar Dawicki
Fruit of anxiety, vegetable of calm

An intimate study of vegetation made possible thanks to a phar­macological support.

Oskar Dawicki
Fruit of Anxiety, Vegetable of Calm

An intimate study of vegetation made possible thanks to a phar­macological support.

Milena Korolczuk
Barricade

(Polski) Książki i skrypty naukowe młodego małżeństwa ufor­mowane w redutę codzien­nego oporu. Przekrój tek­toniczny nawarstwiających się i żółknących z czasem pokładów wiedzy.

Lamp

According to what Buj­now­ski claims him­self, the lamp should be con­sidered rather as an object than a work of art. Before turned into an edition for Raster gal­lery, lamps were made by Buj­now­ski for his private home interior. Produc­tion process is simple too – Buj­now­ski dips each lamp in black paint (which is a recur­ring material in his pain­tings) and thus each of them is unique.

Janek Simon
Jump

Oskar Dawicki
Arbore Scientiae

The work inspired by the biblical story of the Tree of Know­ledge was first created for the Manifesta 7 exhibition in Roverto (2008) as a night-​time camera per­for­mance during which the artist took a bite out of all the fruit of an apple tree.

You Don’t Have to Read it

(Polski) Grafika do nauki czytania z cudzych spojrzeń.

Portrait

I Don’t Trust You Don’t Trust Me

Oskar Dawicki
Stone and Feather

An extraor­dinary story about a Master and his student told in a form of a poster.

Michał Budny
Cover

(Polski) Seria 10 unikatowych obwolut wykonanych ręcznie przez artystę specjal­nie do jego pierw­szej monograficz­nej publikacji.

Zbigniew Rogalski
World Map

Zbigniew Rogalski
End of Light

Przemek Matecki
Abstract Composition with a Photograph of a Stranger

A flag based on a wall com­position prepared by Matecki for his “Piastowski Square” exhibition at Raster (2009).

Przemek Matecki
TOWARDS THE SUN Movies from the garbage #2

Movies from the gar­bage is a unique publishing series presen­ting the most interesting film recor­dings found in the gar­bage. The recor­dings are presen­ted in its original format.

Zbigniew Rogalski
Wheel

Wilhelm Sasnal
BLACK, from the series “posters from the past and the future”

A project prepared for Raster Cheap Art Fair. A series of posters designed by Sasnal for his own exhibitions, which took place till 2003, as well as for projects that might happen in future.