Edward Dwurnik, Zofia Rydet, Paweł Althamer <br> PEOPLE

WARSAW GAL­LERY WEEK­END 2025

Edward Dwurnik, Zofia Rydet, Paweł Althamer
PEOPLE

Chochołów, Sławoszyno, Chęciny, Celejów — the exhibition takes place far from art cen­tres, and its protagonists are not artists but the titular People — residents of Polish vil­lages and small towns. The nar­rative unfolds over three decades, from the 1960s to the early 1990s. During that time, indepen­den­tly of each other and out­side the framework of official artistic policy, Edward Dwur­nik and Zofia Rydet embar­ked on their own unique, per­sonal jour­neys deep into the country.
CONSTELLATIONS

EXHIBITIONS 2024

CONSTELLATIONS

Since the birth of photography, it has remained in a loving embrace with its older kis­sing cousin, pain­ting. They serve each other, inspire each other, and swap roles. But this intimate relation­ship car­ries a whiff of shame, as the lovers don’t like to appear in public together. The exhibition Con­stel­lations tries to break this taboo.
Zofia Rydet <br> ENDLESSLY DISTANT ROADS

EXHIBITIONS 2023

Zofia Rydet
ENDLESSLY DISTANT ROADS

Zofia Rydet (1911–1997), creator of the iconic Sociological Record and the fan­tastic World of Feelings and Imagination, was an artist gifted with a sense for observing the entropy of the world around her. This excep­tional photographic per­spec­tive is revealed in all its power in the series Endles­sly Distant Roads, executed in 1980. In the exhibition at Raster, we present a selec­tion of 40 photographs from this unusual and rarely shown collection.
200 REVELATIONS

EXHIBITIONS 2022

200 REVELATIONS

The new exhibition is devoted to the grey areas of the imagination—religious fervour and visions arising from an excess of metaphysical stimuli or, on the con­trary, from a scar­city of such stimuli and a lon­ging for spirituality in a world dominated by the economics of everyday pragmatism.
Rafał Bujnowski, Peter Puklus, Zofia Rydet<br>1000 HANDS

2019 exhibitions

Rafał Bujnowski, Peter Puklus, Zofia Rydet
1000 HANDS

Metaphorically and seasonally, the exhibition 1000 Hands suits the climate of the pre-​spring thaw, illuminating a land­scape of exhaustion and approaching, intuitively sensed change. In Polish literature this metaphor car­ries a political dimen­sion. In the works shown together here by Rafał Buj­now­ski (1974–), Peter Puklus (1980–) and Zofia Rydet (1911–1997), what is vital is the very process of trans­for­mation, and the accom­panying ambivalence, the tem­perature of inter­per­sonal relations and the poten­tial of the human hands from the title.
Aneta Grzeszykowska, Zofia Rydet<br>HEAD, SKIN, FACE

2017 exhibitions

Aneta Grzeszykowska, Zofia Rydet
HEAD, SKIN, FACE

The fabric of the skin, wrin­kles, hand gestures. The joint exhibition of works by Zofia Rydet (1911–1997) and Aneta Grzeszykow­ska (born 1974) is a show of two artists who use the camera to con­struct cap­tivating and rhetorically rich images of the female body.