Oskar Dawicki
MARY

Oskar Dawicki, a literary and film figure, an artist known as a prac­titioner of total per­for­mance, presents this time a dys­topian nar­rative: a kind of script, or more precisely a recon­struc­tion, of a per­for­mance originally direc­ted in a dream. The cen­tral figure in his vision is a pregnant woman, the heroine of our times, nourisher of the unborn but also caretaker of the dead. As befits a doub­ting artist, the world of his creation is full of ambivalence.

NADA Miami

Raster at NADA Miami: Rafał Buj­now­ski, Aneta Grzeszykow­ska, Prze­mek Matecki, Michelle Raw­lings, Mika Tajima. Booth #3.07

Mika Tajima
AIR

Sourced from the mul­tiple architec­tonic and tech­nological realities that exist in Warsaw, the sub­jects of Tajima’s exhibition—machine, book, and body—are unseen. Instead they provide the under­lying tech­nical material for the hardware-​laden sculp­tures and abs­tract woven textiles in AIR. Together the objects intimate a still obstinate and unreadable body in trans­for­mation. Skin per­forated. Mind laced. Input ready. Con­figured for performance—work, pleasure, war. Not yet fully machine.

The exhibition at Raster will be the first individual show of the artist’s works in this part of Europe, premiering Sep­tem­ber 2017 as part of Warsaw Gal­lery Weekend.

Krzysztof Pruszkowski
Barrier

In 1977, Krzysz­tof Prusz­kow­ski, a Polish-​born photographer residing in France today, was not yet a legal resident. As a man without a coun­try, he began a project that bore the stark, Polish title Barierka (Bar­rier). Over several months, he produced a few hun­dred black-and-white photographs depic­ting the streets of Paris, cut off at various angles by the metal bloc­kades residents have come to know so well. The exhibition of photographs and album reveal a series of images as in a silent film, with only one hero – barierka in the title role.

viennacontemporary

Raster at vien­nacon­tem­porary fair in Vienna

COSMOSCOW

Raster at COSMOSCOW fair in Moscow: Rafał Buj­now­ski, Karolina Jabłońska, Zbigniew Libera, Janek Simon, Slavs and Tatars

Michelle Rawlings
GIRL TALK

Rawlings seeks in her work a new, con­tem­porary female iden­tity: creative, sub­jec­tive, intuitive, and per­fec­tly at home in the digital world. Her intimate pain­ting com­bines visual bril­liance and mul­tiplicity with reticent con­tem­plation.
The main element of her “Girl Talk” exhibition is an instal­lation prepared from a range of objects of varying sizes modeled on the struc­ture of room dividers. The pain­tings accom­panying these sculp­tural pieces are made of silk, hand-​embroidered, pain­ted and prin­ted, in the spirit of a diary of images. The exhibition is com­pleted with charac­teristic, small easel pain­tings by Raw­lings, a con­tinuation of her intimate color studies.

LISTE

Raster at LISTE in Basel: Olaf Brzeski, Karolina Jabłońska, Mika Tajima

Aneta Grzeszykowska, Zofia Rydet
HEAD, SKIN, FACE

The fabric of the skin, wrin­kles, hand gestures. The joint exhibition of works by Zofia Rydet (1911–1997) and Aneta Grzeszykow­ska (born 1974) is a show of two artists who use the camera to con­struct cap­tivating and rhetorically rich images of the female body.

Karolina Jabłońska, Tomasz Kręcicki, Cyryl Polaczek
POTENCY

Hellish Road, Ear­th­worms, The Night­mare, Stran­gling, Snake & Tit—we are showing these and other works pain­ted in recent months, weeks and days in an exhibition of three young artists wor­king in the Kraków district of Zabłocie. The “potency” from the title is the name of the small gal­lery they foun­ded together and have operated for the last couple of years, but also an expres­sion of a ravenous appetite: for unfeigned emotions, for pain­ting every day and grab­bing pic­tures by the throat. A Warsaw premiere of the most promising pain­ting for­mation to rise up in recent years.

Jan Smaga
ARTONS

Włodzimierz Borowski’s Artons, from which the title of Jan Smaga’s exhibition is taken, is one of the most intriguing and original series of works in the history of Polish modern art. Their striking materiality and amor­phous, introver­ted struc­ture inspired Smaga, a photographer often wor­king with exhibiting institutions and well-​known for his experimen­tal documen­tation tech­niques, to con­duct his own creative process based on the legen­dary works of Borow­ski. Using photography, Smaga broke the Artons down into elemen­tary par­tic­les, in order to reas­sem­ble them into a new, two-​dimensional whole—a kind of visualization of the cosmos inter­woven in the material of art.

NADA Miami Beach

Raster at NADA Miami Beach: Rafał Buj­now­ski, Aneta Grzeszykow­ska, Michelle Raw­lings, Janek Simon, Mika Tajima. Booth 3.10

Rafał Bujnowski
MAN ON TREE

The works of Rafał Buj­now­ski con­tinually engage in a dialogue with the fun­damen­tal proper­ties of pain­ting. The artist is interested in what pain­tings are essen­tially for, how they func­tion in architec­tural and social space, but also the manner of their creation. These con­siderations have led him to radical solutions and far-​reaching formal restraint. The phenomenon of his pain­ting con­sists in the con­stant balan­cing between represen­tation and the illusion of represen­tation. The pain­ting process, often purely mechanical, leads to sur­prising results and laun­ches another, sym­metrical, process of reading the com­pleted pain­ting, which depends on the variable ligh­ting, distance, and the involvement of the viewer.

FIAC

Raster at FIAC in Paris: Olaf Brzeski, Michał Budny, Rafał Buj­now­ski, Aneta Grzeszykow­ska, Marcin Maciejow­ski, Slavs and Tatars

Peter Puklus
THE EPIC LOVE STORY OF A WARRIOR

“The Epic Love Story of a War­rior – A Trilogy and Epilogue” fol­lows the events and con­flicts of the 20th cen­tury seen through the eyes of a Cen­tral and Eastern European family but told through a fic­titious story based on actual events, just trans­for­med by an associative process.

viennacontemporary

Raster for vien­nacon­tem­porary fair in Vienna: Oskar Dawicki, Aneta Grzeszykow­ska, Peter Puklus, Zofia Rydet

Slavs and Tatars
SOCIETY OF RASCALS

For their second show at Raster, the Slavs and Tatars col­lec­tive presents an instal­lation in the form of a pickle-​juice bar. The title Society of Rascals (Towarzystwo Szubrawców) was drawn from the name of a now-​forgotten literary society of 19th-century Vil­nius, famous for its heavily ironic, caustic displays of satire that stood coun­ter to the self-​important stance of the roman­tics, their sooth­saying and exal­ted engagement in the nationalist discourse. The pic­kled juices served by the artists along with provocative lexical gym­nastics are meant to sug­gest an antidote for the pathos of Polish patriotism, while also expres­sing their own soured regard for any politics based on the oppositional binary of us-versus-them.

LISTE 2016

Raster at LISTE in Basel: Rafał Buj­now­ski, Michelle Raw­lings, Slavs and Tatars (booth 0/10/1)

Photography as a Crime Scene

A special auc­tion of photography will be held at Raster on May 12, 2016, to sup­port the Jerzy Lewczyński Institute and Raster’s publishing activity.

Salon of New Photography

This exhibition takes on the, per­haps, dated for­mula of the artistic salon, set­ting the emotional focus on individual images—works of photography and their distinct strength in replicating, con­struc­ting and injec­ting a dose of magic into reality. We invited a few dozen con­tem­porary artists to each exhibit a single work created in the past 2-3 years. The col­lec­tion on show, thus, is not only an assort­ment of the most intriguing exam­ples of new Polish photography, but also a record of the most magnetic – in the visual and emotional sense – obses­sions that drive each individual artist to act within the medium.