On March 26-27 the gal­lery will be closed. We apologise for the inconvenience. 

exhibitions 2019

Rafał Bujnowski, Peter Puklus, Zofia Rydet
1000 HANDS

Metaphorically and seasonally, the exhibition 1000 Hands suits the climate of the pre-​spring thaw, illuminating a land­scape of exhaustion and approaching, intuitively sensed change. In Polish literature this metaphor car­ries a political dimen­sion. In the works shown together here by Rafał Buj­now­ski (1974–), Peter Puklus (1980–) and Zofia Rydet (1911–1997), what is vital is the very process of trans­for­mation, and the accom­panying ambivalence, the tem­perature of inter­per­sonal relations and the poten­tial of the human hands from the title.

warsaw gal­lery week­end 2018

If I Were the Moon

The post-​romantic figure of the drun­ken artist is fading into the past, leaving behind a land­scape lit­tered with hal­lucinations, depravity, and shat­tered illusions. This is the story of the intimate ties between con­tem­porary art and vodka. Con­ceived as a medley of artworks and documen­tary con­tent, the exhibition features Krzysztof M. Bed­nar­ski, Olaf Brzeski, Michał Budny, Rafał Buj­now­ski, Oskar Dawicki, Edward Dwur­nik, Władysław Hasior, Jerzy Lewczyński, Honorata Martin, Dominika Olszowy, Zbigniew Rogal­ski, Wil­helm Sasnal, and others.

2018 exhibitions

Nobuyoshi Araki, Aneta Grzeszykowska, Eva Koťátková
FOREIGN BODIES

Contemporary visual cul­ture treats the body as a plastic material that can be formed, shaped, distor­ted and defor­med as needed or desired. The images gathered for our exhibition are a special col­lec­tion of such bodies sub­jec­ted to various treat­ments and forms of sub­duing and con­trol­ling the body.
The cosmetic masks photographed by Grzeszykow­ska effec­tively reshape the artist’s face. The school les­sons in anatomy in Koťátková’s col­lages results in decon­struc­tion of the holistic unity of body and psyche. Araki’s nudes fran­kly address sexual prac­tices groun­ded in domination.

2018 exhibitions

Friend of a Friend

“Friend of a Friend” is a con­cept based on the prin­ciple of frien­dly col­laboration between con­tem­porary art gal­leries. It puts together Warsaw-​based spaces as hosts with inter­national guests, and thus aims to establish an alter­native plat­form for com­mer­cial gal­leries to present con­tem­porary art. The group exhibition prepared at Raster will inc­lude works by Breyer P-Orridge (1950, UK) from Zurich’s Galerie Bern­hard, Andrea Kvas (1986, IT) and Nick Bastis (1985, US) from Vienna’s Ermes-​Ermes gal­lery, as well as Olaf Brzeski. 

current show

Przemek Matecki
SMALL PAINTINGS

In his latest series of pain­tings, which he worked on non­stop for the past year or more, Matecki takes on the vast­ness of art. A tan­gible symbol of its fecun­dity is the heavy piles of super­fluous exhibition catalogs and art magazines which the artist brow­ses through in search of inspiring material for his own work. Matecki gives new life to reproduc­tions, trans­for­ming them into sharp, witty miniature oil pain­tings. The treat­ments he applies generate sur­prising effects. Here art is sub­mit­ted to an authorial com­pres­sion and regains its vigor. Often with a single gesture, Matecki extracts the essence from the work of other artists and creates entirely new pain­tings exuding energy and humor, a kind of con­tem­porary, masterly capriccio.

2017 shows

Oskar Dawicki
MARY

Oskar Dawicki, a literary and film figure, an artist known as a prac­titioner of total per­for­mance, presents this time a dys­topian nar­rative: a kind of script, or more precisely a recon­struc­tion, of a per­for­mance originally direc­ted in a dream. The cen­tral figure in his vision is a pregnant woman, the heroine of our times, nourisher of the unborn but also caretaker of the dead. As befits a doub­ting artist, the world of his creation is full of ambivalence.

warsaw gal­lery week­end 2017

Mika Tajima
AIR

Sourced from the mul­tiple architec­tonic and tech­nological realities that exist in Warsaw, the sub­jects of Tajima’s exhibition—machine, book, and body—are unseen. Instead they provide the under­lying tech­nical material for the hardware-​laden sculp­tures and abs­tract woven textiles in AIR. Together the objects intimate a still obstinate and unreadable body in trans­for­mation. Skin per­forated. Mind laced. Input ready. Con­figured for performance—work, pleasure, war. Not yet fully machine.

The exhibition at Raster will be the first individual show of the artist’s works in this part of Europe, premiering Sep­tem­ber 2017 as part of Warsaw Gal­lery Weekend.

warsaw gal­lery week­end 2017

Krzysztof Pruszkowski
Barrier

In 1977, Krzysz­tof Prusz­kow­ski, a Polish-​born photographer residing in France today, was not yet a legal resident. As a man without a coun­try, he began a project that bore the stark, Polish title Barierka (Bar­rier). Over several months, he produced a few hun­dred black-and-white photographs depic­ting the streets of Paris, cut off at various angles by the metal bloc­kades residents have come to know so well. The exhibition of photographs and album reveal a series of images as in a silent film, with only one hero – barierka in the title role.

2014 EXHIBITIONS

Aneta Grzeszykowska
SELFIE

(Polski) Mistyfikacja należy do ulubionych metod twórczych Anety Grzeszykow­skiej. Artystka kon­sekwent­nie, wręcz obsesyj­nie rozkłada na części swój wizerunek, znika bądź pod­szywa się pod cudze tożsamości. Analiza procesów autokreacji­ – jed­nego z fun­damen­tal­nych tematów sztuki, ale także pod­stawowej kwestii dla kon­dycji dzisiej­szego, post­medial­nego społeczeństwa – ­jest również prze­wod­nim motywem naj­now­szej serii zdjęć.

raster editions


& Jan Smaga
Private Archive

A joint col­lec­tion of photographs to which Grzeszykow­ska and Smaga refer to as their “private archive” is on the one hand a peek into the back­ground of the couple’s artistic prac­tices, on the other—provides an indelible record of life in such a partnership.

raster editions


Message

The only exam­ple still for sale of the excep­tional early sculp­tural works by Budny that laun­ched the artist’s inter­national career.

raster editions


Behind reason

Seria wydruków zgłębiająca często zanie­dbywany temat mistycz­nego wymiaru nowoczesności stworzona została w ramach “Beyonsense” – indywidual­nej wystawy Slavs and Tatars w Museum of Modern Art w Nowym Jorku.