CONDO UNIT

Raster is among nine renow­ned gal­leries from Europe and Middle East to take part in the Condo Unit show in Athens.

If I Were the Moon

The post-​romantic figure of the drun­ken artist is fading into the past, leaving behind a land­scape lit­tered with hal­lucinations, depravity, and shat­tered illusions. This is the story of the intimate ties between con­tem­porary art and vodka. Con­ceived as a medley of artworks and documen­tary con­tent, the exhibition features Krzysztof M. Bed­nar­ski, Olaf Brzeski, Michał Budny, Rafał Buj­now­ski, Oskar Dawicki, Edward Dwur­nik, Władysław Hasior, Jerzy Lewczyński, Honorata Martin, Dominika Olszowy, Zbigniew Rogal­ski, Wil­helm Sasnal, and others.

ORNO. Luźne wątki

W ramach kolej­nej odsłony cyklu ORNO, dedykowanego spółdzielni jubiler­skiej, która przez kilkadziesiąt lat użytkowała lokal przy Wspólnej 63 – obecną siedzibę Rastra – prezen­tujemy prace współczesnych artystów wykorzystujące tkaninę – materię ściśle związaną z tzw. sztuką użytkową.

COSMOSCOW

Raster at COSMOSCOW fair in Moscow: Rafał Buj­now­ski, Prze­mek Matecki, Slavs and Tatars

Nobuyoshi Araki, Aneta Grzeszykowska, Eva Koťátková
FOREIGN BODIES

Contemporary visual cul­ture treats the body as a plastic material that can be formed, shaped, distor­ted and defor­med as needed or desired. The images gathered for our exhibition are a special col­lec­tion of such bodies sub­jec­ted to various treat­ments and forms of sub­duing and con­trol­ling the body.
The cosmetic masks photographed by Grzeszykow­ska effec­tively reshape the artist’s face. The school les­sons in anatomy in Koťátková’s col­lages results in decon­struc­tion of the holistic unity of body and psyche. Araki’s nudes fran­kly address sexual prac­tices groun­ded in domination.

LISTE

Raster at LISTE in Basel: Oskar Dawicki, Honorata Martin, Slavs and Tatars

Tbilisi Art Fair

Raster at Tbilisi Art Fair: Olaf Brzeski, Prze­mek Matecki, Zofia Rydet, Slavs and Tatars.

Friend of a Friend

“Friend of a Friend” is a con­cept based on the prin­ciple of frien­dly col­laboration between con­tem­porary art gal­leries. It puts together Warsaw-​based spaces as hosts with inter­national guests, and thus aims to establish an alter­native plat­form for com­mer­cial gal­leries to present con­tem­porary art. The group exhibition prepared at Raster will inc­lude works by Breyer P-Orridge (1950, UK) from Zurich’s Galerie Bern­hard, Andrea Kvas (1986, IT) and Nick Bastis (1985, US) from Vienna’s Ermes-​Ermes gal­lery, as well as Olaf Brzeski. 

Przemek Matecki
SMALL PAINTINGS

In his latest series of pain­tings, which he worked on non­stop for the past year or more, Matecki takes on the vast­ness of art. A tan­gible symbol of its fecun­dity is the heavy piles of super­fluous exhibition catalogs and art magazines which the artist brow­ses through in search of inspiring material for his own work. Matecki gives new life to reproduc­tions, trans­for­ming them into sharp, witty miniature oil pain­tings. The treat­ments he applies generate sur­prising effects. Here art is sub­mit­ted to an authorial com­pres­sion and regains its vigor. Often with a single gesture, Matecki extracts the essence from the work of other artists and creates entirely new pain­tings exuding energy and humor, a kind of con­tem­porary, masterly capriccio.

Oskar Dawicki
MARY

Oskar Dawicki, a literary and film figure, an artist known as a prac­titioner of total per­for­mance, presents this time a dys­topian nar­rative: a kind of script, or more precisely a recon­struc­tion, of a per­for­mance originally direc­ted in a dream. The cen­tral figure in his vision is a pregnant woman, the heroine of our times, nourisher of the unborn but also caretaker of the dead. As befits a doub­ting artist, the world of his creation is full of ambivalence.

NADA Miami

Raster at NADA Miami: Rafał Buj­now­ski, Aneta Grzeszykow­ska, Prze­mek Matecki, Michelle Raw­lings, Mika Tajima. Booth #3.07

Mika Tajima
AIR

Sourced from the mul­tiple architec­tonic and tech­nological realities that exist in Warsaw, the sub­jects of Tajima’s exhibition—machine, book, and body—are unseen. Instead they provide the under­lying tech­nical material for the hardware-​laden sculp­tures and abs­tract woven textiles in AIR. Together the objects intimate a still obstinate and unreadable body in trans­for­mation. Skin per­forated. Mind laced. Input ready. Con­figured for performance—work, pleasure, war. Not yet fully machine.

The exhibition at Raster will be the first individual show of the artist’s works in this part of Europe, premiering Sep­tem­ber 2017 as part of Warsaw Gal­lery Weekend.

Krzysztof Pruszkowski
Barrier

In 1977, Krzysz­tof Prusz­kow­ski, a Polish-​born photographer residing in France today, was not yet a legal resident. As a man without a coun­try, he began a project that bore the stark, Polish title Barierka (Bar­rier). Over several months, he produced a few hun­dred black-and-white photographs depic­ting the streets of Paris, cut off at various angles by the metal bloc­kades residents have come to know so well. The exhibition of photographs and album reveal a series of images as in a silent film, with only one hero – barierka in the title role.

viennacontemporary

Raster at vien­nacon­tem­porary fair in Vienna

COSMOSCOW

Raster at COSMOSCOW fair in Moscow: Rafał Buj­now­ski, Karolina Jabłońska, Zbigniew Libera, Janek Simon, Slavs and Tatars

Michelle Rawlings
GIRL TALK

Rawlings seeks in her work a new, con­tem­porary female iden­tity: creative, sub­jec­tive, intuitive, and per­fec­tly at home in the digital world. Her intimate pain­ting com­bines visual bril­liance and mul­tiplicity with reticent con­tem­plation.
The main element of her “Girl Talk” exhibition is an instal­lation prepared from a range of objects of varying sizes modeled on the struc­ture of room dividers. The pain­tings accom­panying these sculp­tural pieces are made of silk, hand-​embroidered, pain­ted and prin­ted, in the spirit of a diary of images. The exhibition is com­pleted with charac­teristic, small easel pain­tings by Raw­lings, a con­tinuation of her intimate color studies.

LISTE

Raster at LISTE in Basel: Olaf Brzeski, Karolina Jabłońska, Mika Tajima

Aneta Grzeszykowska, Zofia Rydet
HEAD, SKIN, FACE

The fabric of the skin, wrin­kles, hand gestures. The joint exhibition of works by Zofia Rydet (1911–1997) and Aneta Grzeszykow­ska (born 1974) is a show of two artists who use the camera to con­struct cap­tivating and rhetorically rich images of the female body.

Karolina Jabłońska, Tomasz Kręcicki, Cyryl Polaczek
POTENCY

Hellish Road, Ear­th­worms, The Night­mare, Stran­gling, Snake & Tit—we are showing these and other works pain­ted in recent months, weeks and days in an exhibition of three young artists wor­king in the Kraków district of Zabłocie. The “potency” from the title is the name of the small gal­lery they foun­ded together and have operated for the last couple of years, but also an expres­sion of a ravenous appetite: for unfeigned emotions, for pain­ting every day and grab­bing pic­tures by the throat. A Warsaw premiere of the most promising pain­ting for­mation to rise up in recent years.

Jan Smaga
ARTONS

Włodzimierz Borowski’s Artons, from which the title of Jan Smaga’s exhibition is taken, is one of the most intriguing and original series of works in the history of Polish modern art. Their striking materiality and amor­phous, introver­ted struc­ture inspired Smaga, a photographer often wor­king with exhibiting institutions and well-​known for his experimen­tal documen­tation tech­niques, to con­duct his own creative process based on the legen­dary works of Borow­ski. Using photography, Smaga broke the Artons down into elemen­tary par­tic­les, in order to reas­sem­ble them into a new, two-​dimensional whole—a kind of visualization of the cosmos inter­woven in the material of art.