Krzysztof Zieliński

Wąbrzeźno, an ordinary little town star­ting with W, down near the end of the alphabet, in a lan­guage where “w” could stand for wszędzie—anywhere, por­trayed by the photographer after a decade of sys­temic chan­ges up to the eve of Poland’s joining the European Union, became a visual synonym for the creeping trans­for­mation. Wor­king on colour negatives and alluding to the minimalist poetics of topographic photography, Zieliński created an image of the post-​socialist coun­tryside that is the first of its kind, moving and empathetic, con­struc­ted from mist and a thousand and one shades of grey.


Michał Budny, Kajetan Sosnowski

At the joint exhibition Equivalent Arran­gement Michał Budny and Kajetan Sosnow­ski meet for the first time. The works of both artists, seemin­gly abs­tract, in various ways defy easy clas­sifications of genre. They operate through images and masses but use little pain­ting or sculp­ting. Their com­positions generally finds its origins in an abs­tract drawing—noted on paper or only conceptualized—as a type of minimalist score, the sim­plest recor­ding of an idea.



The latest, typo-photo-graphic per­for­mance by Aneta Grzeszykow­ska is an up-to-date political choreography. Using excerpts from her film works, the artist prepared an effec­tive screenprint.


About Life and Death

Among the latest works by Olaf Brzeski presen­ted at the Adven­ture exhibition, there is a short series of intimate objects with a decorative and func­tional charac­ter. These are original, ceramic vases with attached ashtrays.

Collector’s offer


Original posters by Edward Dwur­nik from the 1980s, which accom­panied individual shows by the artist. The expres­sive style of these works and the spareness of their prin­ting per­fec­tly cap­ture the specific climate of the crisis decade of mar­tial law, strikes, and the dawn of the Polish transformation.


Mouth to Mouth

The collective’s monograph inc­ludes all major art works, publications and lecture–performances from the past ten years, with a special screen­print by Slavs and Tatars in limited edition of 100 copies.

raster editions

Waldemar Baraniewski
Pałac w Warszawie

“Pałac w War­szawie” by Wal­demar Baraniew­ski, a book from our architec­tural Warsaw series of publications, with a special photograph by Błażej Pindor in limited edition of 30 copies.

raster editions


A series of black and white photographs showing figures “found” in the shape of bran­ches, made of sticks, gras­ses, hay.


A Very Dirty Hand

A special edition of gloves for sen­sitive han­dling of art in boxes decorated with graphics by Olaf Brzeski.