Slavs and Tatars is an internationally-renowned art collective devoted to an area east of the former Berlin Wall and west of the Great Wall of China known as Eurasia.Their work has been the subject of solo exhibitions at the Museum of Modern Art, NY; Salt, Istanbul; Vienna Secession, Kunsthalle Zurich and Ujazdowski Centre for Contemporary Art, Warsaw. The collective’s practice is based on three activities: exhibitions, publications and lecture-performances.  In addition to their translation of the legendary Azerbaijani satirical periodical Molla Nasreddin (currently in its 2nd edition with I.B Tauris), Slavs and Tatars have published eight books to date, most recently Wripped Scripped (Hatje Cantz, 2018), on alphabet politics and transliteration.



The Museum of Modern Art, New York, US

Dallas Museum of Art, Dallas, US

Sharjah Art Foundation, Sharjah, UAE

Pejman Foundation, Tehran, IR

Tate Modern, London, GB

Kadist Collection, Paris, FR

Fondazione Sandretto Re Rebaudengo, Turin, IT

Ringier Collection, Zurich, CH

Art Collection Telekom, DE

GfZK, Leipzig, DE


The Museum of Modern Art, Warsaw, PL

Centre for Contemporary Art Zamek Ujazdowski, PL

Wroclaw Contemporary Museum, Wrocław, PL

Arsenal, Białystok, PL



- Pickle Bar Presents, West Den Haag, The Hague, NL

- Parcours (curated by Slavs and Tatars), Monnaie de Paris (Asia Now), Paris, FR

- The Contest of the Fruits, Basement Roma, Rome, IT

- Hang Don’t Cut (LA), Tanya Bonakdar Gallery, Los Angeles, USA

- Hang Don’t Cut, Kraupa-Tuskany Zeidler, Berlin, DE

- Pickle Bar, Radicants, Paris, FR

- Clouds, Power and Ornament – Roving Central Asia (curated by Slavs and Tatars), CHAT, HK

- Friendship of Nations: Polish Shi’ite Showbiz, M HKA, Antwerp, BE



- Slavs and Tatars × Giorgi Khaniashvili, Atinati, Tbilisi, Georgia

- Sauer Power Klubnacht (curated by Slavs and Tatars), Humboldt Forum, Berlin, DE

- Лук Бук (Look Book) at Hacernoche, Son De Aqui, Oaxaca, MX

- Лук Бук (Look Book), Frans Masereel Centrum, Kasterlee, Be

- La Bataille des Fruits, Centre Pompidou-Metz, FR

- MERCZbau, Neubauer Collegium, Chicago, USA



- Bacteria Bar, Twelve Gates Arts, Philadelphia, USA

- Long Lvive Lviv. Слава за Бреслава., OP ENHEIM, Wrocław, PL

- The Contest of the Fruits, Cantor Fitzgerald Gallery, Haverford, USA

- Samovar, Hayward Gallery, London, UK

- Hi Brow!, Pinakothek der Moderne, Munich, DE

- Aşbildung, Restauracja Toros, Osnabrück, DE



- Régions d'être, École nationale supérieure d'art - Centre d'art contemporain, Nice, FR



- Movaland, Gallery «Ў», Minsk, BY



- Sauer Power, Kunstverein Hannover, DE

- Made in Dschermany, Albertinum, Dresden, DE
- Kirchgängerbanger, ar/ge kunst, Bolzano, IT
- Pickle Politics, Kulturhuset, Stockholm, SE

- Saalbaderei / Bathhouse Quackeries, Westfälischer Kunstverein, Münster, DE



- Nose to Nose, Pejman Foundation, Tehran, IR

- Mouth to Mouth, SALT Galata, Istanbul, TR

- Mouth to Mouth, Contemporary Art Center, Vilnius, LT

- E–Z Chasm, Kalfayan Galleries, Athens, GR

- Reading Room, Kraupa-Tuskany Zeidler, Berlin, DE



- Usta Usta (Mouth to Mouth), Center for Contemporary Art Ujazdowski Castle, Warsaw, PL

- Afteur Pasteur, Tanya Bonakdar Gallery, New York, US

- Made in Germany, The Third Line, Dubai, UAE

- Society of Rascals, Raster, Warsaw, PL

- Slavs and Tatars: Lecture-Performances 2009-2016, Fondation Boghossian - Villa Empain, Brussels, BE

- Mirrors for Princes, Blaffer Art Museum, Houston, USA



- Stongue, Kunsthalle Aarhus, DK

- Free Parking: Art Libraries from Elsewhere, Asia. Art Archive, Hong Kong, HK

- Mirrors for Princes, Institute of Modern Art, Brisbane, AU

- Dschinn and Dschuice, Kraupa-Tuskany Zeidler, Berlin

- Lektor, Collective Gallery, Edinburgh, UK

- Dschinn and Dschuice, Kraupa-Tuskany Zeidler, Berlin, DE

- Mirrors for Princes: Both Sides of the Tongue, NYU AD Art Gallery, Abu Dhabi, AE

- Long Legged Linguistics, Kunstmuseum, Trondheim, NO



- Mirrors for Princess, Kunsthalle Zürich, Zürich, CH

- Sunum-Performans: Alfabe Ötesi Dalga (Lecture-Performance: The Transliterative Tease), Istanbul Museum of Modern Art, Istanbul, TR

- LANGUAGE ARTS, The Third Line, Dubai, AE

- Concentrations 57, Dallas Museum of Art, Dallas, USDallas Museum of Art, Dallas, US

- Long legged linguistics. Niesforne nosówki (Long-legged linguistics. The Naughty Nasals), Arsenal Gallery, Bialystok, PL



- Friendship of Nations: Polish Shi'ite Showbiz, Presentation House, Vancouver, CA

- Friendship of Nations: Polish Shi'ite Showbiz, REDCAT, LA, US



- Beyonsense, "Projects 98," Museum of Modern Art, New York, US

- Too much translator, Raster, Warsaw, PL

- Khhhhhh, Moravia Gallery, Brno, CZ

- Not Moscow Not Mecca, Secession, Vienna, AT



- Friendship of Nations: Polish Shi'ite Showbiz, Kiosk, Koninklijke Academie voor Schone Kunsten, Gent, BEvoor Schone Kunsten, Gent, BE

- Friendship of the Nations: Lahestan Nesfeh-Jahan, Gdańsk City Gallery, Gdansk, PL

- A Monobrow Manifesto, Neuer Aachener Kunstverein, Aachen, DE



- Kidnapping Mountains, Netwerk Center for Contemporary Art, Aalst, BE



- Common Wealth, 032c, Berlin and Ooga Booga, Los Angeles (2010), USCommon Wealth, 032c, Berlin and Ooga Booga, Los Angeles (2010), US

- A Thirteenth Month Against Time, Newman-Popiashvili Gallery, New York, US




- Pazur / Claw / Kіготь / Móng vuốt / 爪 / Klou/ճանկ, Asian Town Bakalarska, Warsaw, PL



- Folklore, Centre Pompidou-Metz, FR



- Private Mythologies. Marta's Birthday, Wroclaw Contemporary Museum, PL



- Faith Love Hope, Kunsthaus Graz, Graz, AT

- Mountains of Tongues, Backlit, Nottingham, UK

- I AM THE MOUTH. Works from Central and Eastern European Artists from Art Collection Telekom, Museum of Contemporary Art Zagreb, Zagreb, HR

- Holes in the Wall. Anachronic approaches to the here-and-now, Kunsthaus Exnergasse, Vienna, AT



- 4th Ural Industrial Biennial, Ekaterinburg, RU

- The Other Face of the Moon, Asia Culture Center, Gwangju, KR

- Together Apart, Center for Border Studies, Cúcuta, CO

- The Vague Space, Weserburg Museum, Bremen, DE

- OFF Biennial, Budapest, HU

- Half Truth. Works by Central and Eastern European Contemporary artists from the Telekom Collection, Xavery Dunikowski Museum of Sculputre at Królikarnia Palace, Warsaw, PLSculputre at Królikarnia Palace, Warsaw, PL

- Everything is Getting Better. Unknown Knowns of Polish (Post) Colonialism, SAVVY Contemporary, Berlin, DE

- Frans Masereel and Contemporary Art: Resistance in Images, mu.ZEE, Oostende, BE

- 0ppositions, The Luminary, St. Louis, US

- 32. Biennial of Graphic Arts, Ljubljana, SI

- The Future is certain, it's the unpredictable, Calvert 22, London, UK

- Imaginary Geography, ACC - Asia Culture Center, Gwangju, KR



- Will it get better and better? Presentation of the collection II (It's getting better and even better? Presentation of Collection II), Arsenal Gallery, Bialystok, PLlepiej i coraz lepiej? Prezentacja kolekcji II (It’s getting better and even better? Presentation of Kolekcja II), Arsenal Gallery, Bialystok, PL

- A Place of Our Time, Palazzo Capris, Turin, IT

- Fiatal Lengyelország - A valóság utóérzései (Young Poland - Afterimages of Reality), Ludwig Museum, Budapest, HU

- Yinchuan Biennale 2016, Yinchuan, CN

- We Dance, We Smoke, We Kiss, Fahrenheit, Los Angeles, US

- Sprache, Deutsches Hygiene Museum Dresden, Dresden, DEHygiene Museum Dresden, Dresden, DE

- Jakoś to będzie / Czuwaj (We'll Manage, Of Course / Stay Ready), Biuro Wystaw, Warsaw, PLCourse / Stay Ready), Biuro Wystaw, Warsaw, PL

Labor Relations. From the International Contemporary Art Collection of Wroclaw Contemporary Museum, Wroclaw, PL

- Metatextile: Ruptured narratives, exchanged values, Edel Assanti, London, UK

- Labor Relations. From the International Contemporary Art Collection of Wroclaw Contemporary Museum, Wroclaw, PL

- Mother lode, Hessel Museum of Art, Bard College, New York, USAMother lode, Hessel Museum of Art, Bard College, New York, USA

- DE-MO-CRA-CY, Galeria Labirynt, Lublin, PL

- SONSBEEK '16: transACTION, Museum Arnhem, NL

- La memoria finalmente. Arte in Polonia 1989-2015 (The Memory Finally, Art in Poland 1989-2015), Galleria Civica - Palazzina dei Giardini, Modena, ITfinalmente. Arte in Polonia 1989-2015 (The Memory Finally. Art in Poland 1989-2015), Galleria Civica - Palazzina dei Giardini, Modena, IT

- Arch of my Eye's Orbit, Brooklyn Academy of Music, New York, USA

- Magie und Macht: Von fliegenden Teppichen und Drohnen (Magic and Power), Marta Herford Museum, Herford, DEfliegenden Teppichen und Drohnen (Magic and Power), Marta Herford Museum, Herford, DE

- Conditions of Political Choreography, Center for Contemporary Art, Tel Aviv, IL



- Zuzanna Ginczanka. Only happiness is a real life (Zuzanna Ginczanka. Only happiness covered real life), Adam Mickiewicz Museum of Literature, Warsaw, PLprawdziwym życiem (Zuzanna Ginczanka. Only happiness constitutes real life), Adam Mickiewicz Museum of Literature, Warsaw, PL

- Balagan !!! Contemporary Art from the Former Soviet Union and other Mythical Spots, Max Liebermann Haus, Berlin, DE

- Contour 7 Biennial, Mechelen, BE

- Open House, Kunstverein Braunschweig, Braunschweig, DE

- Preis Der Nationalgalerie, Hamburger Bahnhof, Berlin, DE

- Pure Language (The Pure Tongue), Arsenal Gallery, Bialystok, PL

- Stitch In Time: The fabric of contemporary life, Lewis Glucksman Gallery, University College Cork, IE

- Crisis of History # 3 - Beyond History, Framer Framed, Amsterdam, NL

- KölnSkulptur # 8, Skulpturenpark, Köln, DE

- More Konzeption Conception now , Museum Morsbroich , Leverkusen, DE



- shadow architecture. Chalets and bazaars (Shadow Architecture. Lavatories and Bazaars), Museum of Modern Art in Warsaw, PLcienia. Szalety i bazary (Shadow Architecture. Lavatories and Bazaars), Museum of Modern Art in Warsaw, PL

- Rainbow in the Dark, Salt Galata, Istanbul, TR

- 8. Berlin Biennale, Berlin, DE

- Manifesta 10, Saint Petersburg, RU

- Show us your dreams, Open'er Festival 2014, Gdynia, PLnam wasze marzenia, Open'er Festival 2014, Gdynia, PL

- In the Near Future, Museum of Modern Art, Warsaw, PLniedalekiej przyszłości (In the Near Future), Museum of Modern Art, Warsaw, PL

- Grip friheten! (Take Liberty!), The National Museum of Art, Oslo, NOfriheten! (Take Liberty!), The National Museum of Art, Oslo, NO

- Neighbors: Contemporary Narratives from Turkey and Beyond, Istanbul Museum of Modern Art, Istanbul, TR



- Soft Picture, Fondazione Sandretto Re Rebaudengo, Torino, IT

-Museum off Museums, Biellefelder Kunstverein, Bielefeld, DE -Hip to Be Square, KC PZPR, Warsaw, PLMuseum off Museums, Biellefelder Kunstverein, Bielefeld, DE -Hip to Be Square, KC PZPR, Warszawa, PL

-In the Name of God, KC PZPR, Warsaw, PL

-Long ago, and not true anyway, Waterside Contemporary, London, UK

-Nouvelle Vague, Palais de Tokyo, Paris, FR

-L'Ange de l'Histoire, Palais de Beaux Arts, Paris, FRde Beaux Arts, Paris, FR

-Love me Love me not, Venice, IT

-In the heart of the country, Museum of Modern Art, Warsaw, PLsercu kraju, Muzeum Sztuki Nowoczesnej, Warszawa, PL

-Weird Science, Jack Hanley Gallery, New York, USA

-Nouveau Festival, Center Pompidou, Paris, FR



- Traversing West Asia, Asia Pacific Triennial, Brisban, AU

- Niewczesne Historie / Untimely Stories, Art Museum, Lodz, PL

- Roundtable, 9th Gwangju Biennial, Gwangju, KR

- 2nd Ural Biennial, Ekaterinburg, RU

- Etat de Veille, Galerie Jousse Entreprise, Paris, FREntreprise, Paris, FR

- Under the Mountain, Festival of Culture, Jerusalem, ISR

- On Apology, CCA Wattis, San Francisco, US

- Migrosophia, Maraya Art Center, Sharjah, UAE

- The Ungovernables, New Museum Triennial, New York, US

- Print / Out, Museum of Modern Art, New York, US

- Scenarios about Europe III, GfZK, Leipzig, DE



- I decided not to save the world, Tate Modern / Salt Beyoğlu

- Station C, Konsthall C, Stockholm, SE

- Geopoetics, 8th Mercosul Biennial, Porto Alegre, Brazil, BRGeopoetics, 8th Mercosul Biennial, Porto Alegre, Brazil, BR

- A Rock and a Hard Place, 3rd Thessaloniki Biennale, Thessaloniki, GR

- Melanchotopia, Witte de With, Rotterdam, NL

- Group Affinity, Kunstverein München, München, DE

- Friendship of Nations: Polish Shi'ite Showbiz, 10th Sharjah Biennale, UAE

- Galicia. Topologies of Myth, Małopolskie Centrum Kulturz SOKOŁ, Nowy Sącz, PL

- East: Excitable Speech: West, Kerstin Engholm Galerie, Vienna, ATEast:Excitable Speech:West, Kerstin Engholm Galerie, Vienna, AT

- Distant Montage, École Régionale des Beaux Arts de Valence, FRBeaux Arts de Valence, FR

- Le Mont Analogue, BE Part Platform voor actuele kunst, Waregem, BEvoor actuele kunst, Waregem, BE

- ECHT? based on a true story, Kuenstlerhaus Stuttgart, Stuttgart, DE



- Between the silhouette and the background, Unosunove gallery, Rome

- Monobrow Manifesto, Frieze Sculpture Park, London,

- Salon5, ARGOS center for art and media, Brusselscentre for art and media, Brussels

- 25th Nadežda Petrović Memorial, Čačak, Serbia

- Correct Me if I am Critical, Felleshuset, Nordische Botschaft, Berlin

- Frozen Moments , Ministry of Transport, Tbilisi, Georgia

- 032c Workshop # 1, BAIBAKOV art projects, Moscow

- Habitat (Some Pleasures and Discomforts of Domestic Life), Twenty First / Twenty First Gallery, New York

- Miseducation, Brucennial, New York

- The Past is a Foreign Country, Center of Contemporary Art 'Signs of the Time' in Torun

- Freischuss, Kleine Humboldt Galerie, Berlin



- Industrial Light Magic, Goethe Institut, New York

- Wola Art Festival, Warsaw

- Hymns of No Resistance, Kaai Theater, Brussels

- Betlemi Mikro-Raioni, Laura Palmer Foundation, Tbilisi

- Nomadic Focus, Interzone, Studio BWA, Wroclaw

- Live Archive of 'The Generational: Younger Than Jesus', New Museum, New York



- Grotto, Museum 52, London

- Place it, Parallel Events Manifesta 7, Lungomare Gallery, Bolzano

- Shifting Identities, Kunsthall Zürich     Kunsthall Zürich     

- Pro eto, NCCA, Moscow Biennale of Young Artistseto, NCCA, Moscow Biennale of Young Artists

- Forms of Inquiry, traveling show: Casco, Utrecht; lux, Valence; IASPIS, Stockholm; BolteLang, Zürich; Archizoom EPFL, Lausanne

- Ostersund, Färgfabriken, Stockholm



- Left Pop, Moscow Biennial of Contemporary Art

- New Multiples, Art Metropole, Toronto

- NY Art Book Fair, Printed Matter, New York

- Books by Artists, E: vent Gallery, London

- 10 Years, Colette, Paris



- Publish and Be Damned, Casco Projects, Utrecht

- 30ANSCHLAEGE, Public Exhibition in Heidelberg



- Festival International de la Mode et de Photographie, Hyéres

- Proud and Sad / Wrong and Strong, Women and Their Work, Austin, Texas

- Bloomberg New Contemporaries, Cornerhouse, Manchester, Barbican, London

- Somewhere Totally Else, Design Museum, London



Maija Rudovska, Slavs and Tatars. Mouth to Mouth, "Selections", 12/10/2017  (EN)

- Video from the "Mouth to Mouth" exhibition, TVP Kultura, 2016 (PL)

Interview with Slavs and Tatars, "Unthinkable", 14/10/2016  (EN)

Karol Sienkiewicz, Slavs and Tatars w warszawskim CSW. Wystawa słynnej międzynarodowej grupy to bunt czy eskapizm?, "", 18.12.2016 (PL)

- Slavs and Tatars. Afteur Pasteur, Ann McCoy, “The Brooklyn Rail”, 1.11.2016 (EN)

- Sok z kiszonek, interview with Slavs and Tatars, by Ewa Tatar, Katarzyna Czeczot, “”, #190, 07/2016 (PL)

- Bean Gilsdorf, Slavs and Tatars, “Artforum”, 13.06.2016 (EN)

- Krzysztof Kościuczuk, Critic’s Guide: Warsaw, “”, 02.06.2016 (EN)

- Miriam Cosic, Mirrors for Princes explores the lands time forgot, “The Australian”, 19.11.2015  (EN)

- Kevin Jones, Slavs and Tatars NYUAD Art Gallery / Abu Dhabi, “Flash Art”, 17.06.2015 (EN)

- Kevin Jones, Mirrors for Princes: Both Sides of the Tongue, "ArtAsiaPacific", Issue 93, May/Jun 2015 (EN)

- Dina Akhmadeeva, Wall to Wall: meet Slavs and Tatars, the art collective slaying stereotypes from Berlin to Beijing, “The Calvert Journal”, 19.03.2015 (EN)

Monique Todd, Breaking new ground in the Persian Gulf, “Dazed”, 18.03.2015 (EN)

- Nick Leech, Slavs and Tatars encourages art that you’re allowed to reach out and sit on, “”, 26.02.2015 (EN)

- Kevin Jones, Slavs and Tatars. Language Arts, "ArtAsiaPacific", Issue 91, Nov/Dec 2014 (EN)

Jerome Weeks, Alphabet Wars At The Dallas Museum Of Art, "",17.07.2014 (EN)

Dallas Museum of Art first to present Slavs and Tatars' complete Love Letters Carpet series , "", 26.07.2014 (EN)

Fawz Kabra, Language Arts, Slavs and Tatars at The Third Line, “IBRAAZ”, 30.04.2014 (EN)

Asa Fitch, Art Dubai Eyes Cultural Growth Amid Dubai’s Commercial Upswing, "The Wall Street Journal", 19.03.2014 (EN)

Anna Seaman, Slavs and Tatars exhibit at The Third Line in Dubai strive to liberate words and art, "The National", 01.04.2014 (EN)

Ewa Kozik, Artyści, kuratorzy i badacze, czyli o strategiach artystycznych “Slavs and Tatars",, 13.09.13 (PL)

Caucasian Bazaar, interview with Slavs and Tatars, by Iwo Zmyślony, "", #94, 10/2012 (ENG)

Slavs and Tatars on Reading as a Collective Activity, video interview with Slavs and Tatars by Agnes Monod-Gayraud, "", 05.10.2012 (EN, PL)

- Jesi Khadivi, Slavs and Tatars, "Harper's Bazaar Art", zima 2012 - 2013, s. 90 - 99 (EN)

- Austin Considine, Slavs and Tatars Bring Eurasian Transreason to MoMA, "Art in America", 16.10.2012 (EN)

Iwona Kurz, Nie chcemy być nowocześni, "", #110, 06/2013 (PL)

- Adriana Prodeus, Panslawizm - tak!, "Newsweek", 01 - 07.07.2013, s.98-99 (PL)

- Interview with Slavs and Tatars by Federica Bueti, "ARTslant", 7.08.2010 (EN)

- Nicholas Cullinan, Group Think, "Artforum", 02.2011 (EN)

- Ewa Bianka Zubek, Slavs and Tatars: Politics, Aesthetics and Friendship across Eurasia, "The Culture Trip", 03.2014 (EN)  



Owen Duffy, Slavs and Tatars. Afteur Pasteur, "ArtReview", 12/2016, p. 119 (EN)

Ingeborg Wiensowski, Das Künstlerkollektiv Slavs and Tatars beschäftigt sich mit Religion, Identität und Sprache. Und mit Eurasien, “Kultur Spiegel”, #9, 2015 (DE)

David Joselit, On Aggregators, “October”, #146, 2014, p. 3-18 (EN)

Karolina Plinta, Slavs&Tatars. Długonoga lingwistyka, Niesforne Nosówki, "Szum", #6 2014, p. 118-120 (PL)

- Florence Derieux, Slavs and Tatars, Art Space Pythagorion, Samos, "Flash Art", no. 293, November- December 2013, s. 107 (EN)

- Veerle Devos, Tongue 'n Cheek: Slavs and Tatars do Eurasia, "DAM",  no 41, 2013, s. 32-36

- Konrad Schiller, Slavs and Tatars, Friendship of Nations: Polish Shi'ite Showbiz, "Szum", #3, jesień 2013 - zima 2014, s. 103-106 (PL)

- Dorota Jarecka, Nowoczesność to zysk, "", 15.05.2013

- Miško Šuvaković, ’Slavs and Tatars: Posle Postkolonijalnog Subjekta,’ "Umetnost i Politika", Belgrade: Sluzbeni Glasnik, 2012

- Kevin Kinsella, For the Birds, "BombBlog", 5.11.2012

- Anders Kreuger, ’Beyond Nonsense: What Slavs and Tatars Make,’ "Afterall", Fall 2012

- Karol Sienkiewicz, ’Slavs and Tatars’ "Too Much Tłumacz", "Art Agenda", 16.10.2012

- Jon Leon, ’Political He Says,’ "Spike", no 33 Autumn 2012

- Shelby Brody, ’Art in Translation,’ "Columbia Daily Spectator", 26.09.2012

- Mason Curry, Skyping with Slavs and Tatars, "Print", October 2012

- Igor Gulin,  Представители трещины, "Kommersant", 31.08.2012

- Slavs and Tatars, When Satire Conquered Iran,"New York Review of Books", 18.09.2012

- Oleg Sulkin, Slavs and Tatars захватили Музей современного искусства, "Голос Америки", 19.08.2012

- Tereza Stejskalová, Možnosti kulturního překladu, "A2", 04.06.2012

- Mara Goldwyn, ’It’s a Trip’ Sleek, 34, 2012 - Slavs and Tatars, Q&A, "Frieze", May 2012

- Jerry Saltz, Big Government Conservatives, "New York Magazine", 24.02. 2012

- Ken Johnson, ’Gauging the Power of the Print, "The New York Times", 16.02.2012

- Marta Jazowska, Slavs and Tatars’ Not Moscow Not Mecca, "", 2012

- Alex Moshakis, Interview with Slavs and Tatars, "It’s Nice That", issue 8, 2012

- HG Masters, Five Plus One’ Asia Art Pacific, Almanac 2011

- Magadalen Chua, Interactions between Representations of History, "", 26.01.2012

- Christopher Lord, A Daring Eastern Publication, "The National", 21.12.2011

- Yıldız, ’Artist of the Week: Slavs and Tatars, "Manifesta Journal blog", 12.12.2011

- Karolina Majewska, Slavs and Tatars w Gdańsku, "", 16.10.2011

- JJ Charlesworth, I decided not to save the world, "TimeOut", 17.11.2011

- HG Masters, Slavs and Tatars: Collective Eclecticism, "Asia Art Pacific", issue 75

- Behrang Samsami, Simplicissimus auf Aserbaidschanisch, "Zenith", 16.09.2011

- Don J. Cohen, Molla Nasreddin review, "Asia Art Pacific", issue 75, 2011

- Alexander Provan, Molla Nasreddin review, "Bidoun", issue 25, 2011

- Isabella Ella Hughes, Snail Fever: review, "Asia Art Pacific", 2011

- Carson Chan, The Last of the Eurasianists, "Kaleidoscope", issue 11, 2011

- David Shariatmadari, Molla Nasreddin review, "The Guardian", 24.06.2011

- Peter Gordon, Molla Nasreddin redux, "Asian Review of Books", 2011

- Nigar Hacizade, Müslüman, laik, demokrat devrimciler, "Radikal", 30.05.2011

- Elizabeth Minkel, The magazine that almost changed the world, "The New Yorker", 26.05.2011

- Isabella Ella Hughes, Sharjah Biennale 10 review, "Asia Art Pacific", issue 73, 2011

- Daniel Morgenthaler, ’Der "Nebelspalter" der muslimischen Welt’, Basler Zeitung, 13.04.2011

- Taraneh Hemami, Tracing the Plot, "SF MoMA Blog", 2011

- Maxine Kopsa, It was bibliophilia at first sight, "Metropolis M", March 2011

- Adam Budak, Future Greats, "Art Review", March 2011

- Dietrich Heißenbüttel, Von Slawen und Tataren, "Süddeutsche Zeitung", 16.02.2011

- Slavs and Tatars, Molla Nasreddin: The Magazine That Would’ve, Could’ve, "- Should’ve",, September 2010

- Federica Bueti, ‘All Alone, Together’, September 2010

- Daniel Miller, ’Postcard from Tbilisi,’, September 2010

- Federica Bueti, ‘Interview with Slavs and Tatars,’, August 2010

- Ewa Opałka, ‘Przewodniki po nie-miejscu. "Przeszłość jest obcym krajem,’ Obieg, June 2010

- Paulina Jakubowska, ‘Geografia umysłu,’, 26.02.2010

- Slavs and Tatars, ’Go East, Young Man!’ 032c, issue 19, 2010

- Slavs and Tatars, ‘Who is the enemy?’ Kaleidoscope, issue 5, 2010

- Slavs and Tatars, Польские Татары (Polskie Tatari), "Black Square", issue 9, 2010

- Slavs and Tatars, What is Urgent, "Metropolis M", issue 6, 2009

- Andrzej Rejnson, Wolska architektura w rekach artystow, "Polska", 18.11.2009

- Slavs and Tatars, Poland 1989: In Praise of the Normal, "Methodical and - Slow", 032c, issue 18, 2009

- Slavs and Tatars, Tehran 1979: Paper, "Participation, Politics", 032c, issue 17, 2009

- Isabelle De Baets, Strak, Minder Strak, No-Nonsense, "ART, issue 52", 04.06.2009

- Jasmine De Bruycker, Kidnapping Mountains, "", 13.05.2009

- Agata Araszkiewicz, Slavs and Tatars, "flaneriaa", 18.05.2009

- Shaun Walker, The Expatriate, "Fantastic Man", issue 9, 2009

- Negar Azimi, I Often Dream of Slavs, "Bidoun", issue 16, 2009

- Payam Sharifi, Flattened History, "Metropolis M",  No. 5, 2008

- Anna Dyulgerova, Novi Moskvich, "Harper’s Bazaar", September 2008

- Ingrid Chu, ‘Rebuilding the Pantheon’, Filip, issue 8, 2008

- Slavs and Tatars, Mohammed Mossadeq, "", May 2008

- Alison Cool, Wall to Wall, "", 08.04.2008

- Slavs and Tatars, Drafting Defeat, Cities from Zero, Ed. Shumon Basar, AA Publications, 2007

- Holland Cotter, Art between Covers, "New York Times", 29.09.2007

- Suzy Menkes, Paris’ Colette, "International Herald Tribune", 26.05.2007

- Featured in The Conditions of Graphic Design, "IDEA", No. 316, 2006 - Featured in ‘The Creators Network’, "+81", vol. 33, 2006

- Slavs and Tatars, ‘Slavs’, 032c, issue 11, 2006 - Payam Sharifi, Veiled Beauty, "Another Magazine", issue 10, 2006

- Brigitte Ollier, L’oeil Hyéres, "Libération", 05.05.2005

- Gert Jonkers, Modewereld is op zoek naar foto’s met inhoud, "De - Volkskrant", 02.05.2005

- Payam Sharifi, Past – The Undecideds, "Another Magazine",  issue 9, 2005

- Payam Sharifi, Discretion, "A Magazine" curated by Haider Ackermann, vol 3, 2005

- Payam Sharifi, Révolutions de Façade, "Libération", 11/08/2005  



Friendship of Nations Polish Shi`ite Showbiz, Book Works Sharjah Art Foundation, 2013

Khhhhhhh, Moravian Gallery in Brno, Mousse, 2012

- Not Moscow Not Mecca, Secession, Revolver, 2012

- Molla Nasreddin: Christoph Keller / JRP-Ringier, 2011 - 79.89.09, Book Works, 2010

- Kidnapping Mountains, Book Works, 2009