Dominika Olszowy: The winner of the Views 2019

The main prize of the Views 2019 was awar­ded to Dominika Olszowy for her instal­lation and video shows: The Wake. Congratulation! The exhibition will be open untill 30.06.2019. An audience award winner is additionally selec­ted in a general vote that conc­ludes with the exhibition.

Olaf Brzeski
Olaf Brzeski at the KAAF Institute

A new series of ceramic objects, created during a few months’ residency, presen­ted at the exhibition “Once Upon a Time in Iran” in Tehran.

Aneta Grzeszykowska
Maria Klassenberg Archive

For the need of theater spec­tacle, Aneta Grzeszykow­ska created a fic­titious artist’s archive, con­sisting of hun­dreds photographs and several short films.

Zbigniew Rogalski
Zbigniew Rogalski cooperates with Paweł Bownik and Tymon Rogalski

Two exhibitions by Zbigniew Rogal­ski in Poznań and Szczecin. Dif­ferent col­laborations, similar destination point.

Aneta Grzeszykowska
“SELFIE”

Album with Aneta Grzeszykowska’s loudly-​commented series of photographs with an original photograph by the artist. The self-​portrait was placed on a poster for a produc­tion of “The Gor­gonowa Affair” at the Stary Theatre in Kraków.

Oskar Dawicki
Rafał Bujnowski
The neurotics’ monument on Aleje Ujazdowskie

Rafal Buj­now­ski has designed a monument dedicated to all neurotics. Monument has a form of a trough carved in the granite paving stones, which fills up with water during a rain­fall and forms a per­fec­tly round puddle.

Slavs and Tatars
Slavs and Tatars at the Venice Biennale

Slavs and Tatars are par­ticipating in the main exhibition of 58th Venice Biennale.

Tree of Good Luck Sends Regards to Another Tree with the Middle Finger

(Polski)

Janek Simon
Michelle Rawlings
Rafał Bujnowski
LISTE 2019

Raster at LISTE in Basel: Rafał Buj­now­ski, Dominika Olszowy, Michelle Raw­lings, Janek Simon

Aneta Grzeszykowska
Aneta Grzeszykowska
MAMA

“Mama” is the latest series of photographs by Aneta Grzeszykow­ska, who presents her daugh­ter in the activities with silicone sculpture-​doll – a hyper-​realistic image of the head and body of her mother-​artist.

Aneta Grzeszykowska
Aneta Grzeszykowska exhibited in “The Body Electric”

Aneta Grzeszykowska’s photographs from the Selfie series are exhibited in “The Body Electric” exhibition taking place at Walker Art Center in Minneapolis.

Michelle Rawlings
FRIEND OF A FRIEND

In the 2nd edition of the Friend of a Friend project, Galeria Raster invites you to an encoun­ter of three artists from three con­tinents: Flo Kasearu from Estonia, Sachiko  Kazama from Japan, and Michelle Raw­lings from the United States. Each of them works in a dif­ferent medium and cul­tural con­text, employing an individual, expres­sive lan­guage. In varying ways, all of them negotiate the social and political dimen­sions of artistic work.

Slavs and Tatars
Slavs and Tatars in Minsk

“Movaland” exhibition by Slavs and Tatars at Ў Gal­lery in Minsk, Belarus.

Zofia Rydet
From the World of Feelings and Imagination cycle. Threat

Zofia Rydet
From the World of Feelings and Imagination cycle. Phantoms

Błażej Pindor
“Gutt’s Warsaw”

“Romuald Gutt’s Warsaw” by Błażej Pindor, a book from our architec­tural Warsaw series of publications, with a special photograph by the artist in limited edition of 30 copies.

Zbigniew Libera
“Photographs”

Collector’s edition of Zbigniew Libera’s “Photographs” album with a limited edition miniature format of his “First Day of Freedom” 2012 photograph.

Rafał Bujnowski
Zofia Rydet
Rafał Bujnowski, Peter Puklus, Zofia Rydet
1000 HANDS

Metaphorically and seasonally, the exhibition 1000 Hands suits the climate of the pre-​spring thaw, illuminating a land­scape of exhaustion and approaching, intuitively sensed change. In Polish literature this metaphor car­ries a political dimen­sion. In the works shown together here by Rafał Buj­now­ski (1974–), Peter Puklus (1980–) and Zofia Rydet (1911–1997), what is vital is the very process of trans­for­mation, and the accom­panying ambivalence, the tem­perature of inter­per­sonal relations and the poten­tial of the human hands from the title.

Karolina Jabłońska
Karolina Jabłońska
SLIPPERY

“Slippery” at Raster is Karolina Jabłońska’s first individual show in Warsaw. In her pain­tings girls wear rings and guys wear wat­ches, but the stereo­typical logic of dominance is rever­sed. The heroines here are idols, sooth­sayers and thieves, and relation­ships and pas­sions explode as violen­tly as they end, in emotion. Here exag­geration and hyper­bole are the rule for both com­position and life.

Michelle Rawlings
Untitled