Edward Dwurnik
SPORTOWCY

The album published by the German col­lec­tor of Polish art, Osman Djajadisastra, con­tains reproduc­tions of all existing works from the most famous pain­ting cycle of Edward Dwurnik.

Jan Smaga
BYT

A series of black and white photographs showing figures “found” in the shape of bran­ches, made of sticks, gras­ses, hay.

Art of the cut – Bytom at WGW

We want to invite you to the exhibition that presents a col­lec­tion of unique suits made by Bytom tailors in cooperation with out­stan­ding Polish artists.

Rafał Bujnowski
Method and mess. Rafał Bujnowski at the Warsaw Chapter of the Association of Polish Artists and Designers

Painting is dirty work. We are remin­ded of this first by the paper towels—the latest pain­ting series by Rafał Buj­now­ski. Clas­sic motifs emerge from the black splot­ches of paint left by the brush when wiped routinely on paper towels.

Dominika Olszowy
HOUSEHOLD SPIRIT

This exhibition designed especially for the Raster space peers out from a dark lining of domesticity. Using hybrid objects and sculp­tures, distur­bing images and mysterious pas­sages, Olszowy creates her own vision of home.

Aneta Grzeszykowska
Olaf Brzeski
Slavs and Tatars
COSMOSCOW

Raster at COSMOSCOW fair: Lev Povzner, Aneta Grzeszykow­ska, Olaf Brzeski, Slavs and Tatars

Slavs and Tatars
Noblesse Oblige (pumpkin seed)

The new­spaper headline tells us: “Noblesse oblige, précariat exige” – nobility obliges, precariat requires.

Edward Dwurnik
Gathering in the Square

Edward Dwurnik
GentlemenBoys

Łukasz Gor­czyca and Michał Kaczyński por­trayed by Edward Dwurnik.

Edward Dwurnik
Christ in the village

In the X series called “Cross”, Dwur­nik deals with Christian and pas­sion issue. The pain­ting is a dramatic visualization of the pas­sion of Christ in the 20th-century reality.

Aneta Grzeszykowska
Aneta Grzeszykowska
MAMA

“Mama” is the latest series of photographs by Aneta Grzeszykow­ska, who presents her daugh­ter in the activities with silicone sculpture-​doll – a hyper-​realistic image of the head and body of her mother-​artist.

Edward Dwurnik
Happy return home after work

Portraying a couple of people retur­ning home after work, Edward Dwur­nik blurs the boun­dary between what is lofty and banal, sym­bolic and prosaic.

Edward Dwurnik
Postman

The pain­ting belongs to the Wor­kers series, in which Dwur­nik por­trays the “working class” of the PRL times.

Edward Dwurnik
Mother Skins Rats

The pain­ting belongs to the Spor­t­smen series. Edward Dwur­nik does not avoid blunt­ness and naturalism.

Edward Dwurnik
Drunkard

A view of the sur­roun­ding reality from the per­spec­tive of a drunk man kneeling alone in the crowd

Edward Dwurnik
My Head

Artist’s self-​portrait in which he per­forms the act of his own decapitation.

Edward Dwurnik
To the end

In his drawings and col­lages from the To the end series Edward Dwur­nik presents the mental land­scape of national streets and bac­kyards. Aggres­sion and sexism are pushing men like a well-​oiled machine.

Edward Dwurnik
Edward Dwurnik
GATHERING IN THE SQUARE

(Polski) Ser­decz­nie zapraszamy na wystawę inaugurującą stałą reprezentację spuścizny Edwarda Dwur­nika przez galerię Raster. Wystawa przy­gotowana została we współpracy z Fundacją Edwarda Dwur­nika, założoną przez spad­kobierców artysty.

Dominika Olszowy: The winner of the Views 2019

The main prize of the Views 2019 was awar­ded to Dominika Olszowy for her instal­lation and video shows: The Wake. Congratulation! The exhibition will be open untill 30.06.2019. An audience award winner is additionally selec­ted in a general vote that conc­ludes with the exhibition.

Olaf Brzeski
Olaf Brzeski at the KAAF Institute

A new series of ceramic objects, created during a few months’ residency, presen­ted at the exhibition “Once Upon a Time in Iran” in Tehran.