Janek Simon
Slavs and Tatars
Folklore in Metz

Works by Janek Simon and by Slavs and Tatars are being shown at the Centre Pom­pidou in Metz at the museum’s exhibition Folklore.

Sławomir Elsner
Elsner and the Blue Rider

Works by Sławomir Elsner are being shown at the Len­bach­haus in Munich among pain­tings from the museum’s col­lec­tion of works by the Blue Rider artists.

Michelle Rawlings
Rawlings at the Warehouse

Michelle Raw­lings is taking part in the show Psychic Wounds: On Art & Trauma at The Warehouse in Dallas.

Janek Simon
Janek Simon
MACHINE LEARNING FOLKLORE

The latest exhibition by Janek Simon at Raster has an open struc­ture. Instead of a traditional, arran­ged showing of com­pleted artistic objects, we are given a process, a situation sug­gesting a visit to the studio, where we can observe “live” the chan­ging progress of work on each project.

Edward Dwurnik
Edward Dwurnik
MOJŻESZ AND OTHERS FROM RYPIN

The presen­tation of ten of Edward Dwurnik’s works on paper never shown before marks the begin­ning of the work on an intriguing archive of the artist, in which motifs and stories known from pain­tings are developed, or the reverse—drawings left by the artist inc­lude ideas and emotions later expan­ded on in his paintings.

Edward Dwurnik
Mojżesz

The work belongs to the short but unusual series created in 1973 in cooperation with the photographer Teresa Gierzyńska.

Edward Dwurnik
KłamsTVa

(Polski) Rysunki z serii KłamsTVa to przykłady politycz­nej eks­presji czasów strajków i stanu wojen­nego oraz zapis społecznego sprzeciwu wobec manipulacjom władzy.

Edward Dwurnik
Romuald Traugutt Street in Sierpc

(Polski) Charak­terystyczny dla Dwur­nika widok Polski z małomiasteczkowej per­spek­tywy z ikonicz­nym dla artysty motywem wiel­kiej główy i ujmującą aurą nawiązującą do prac Nikifora, którymi Dwur­nik się inspirował.

Zbigniew Rogalski
My Collection

In his new cycle “My Col­lec­tion” Zbigniew Rogal­ski presents scenes of pas­sionate kisses created on the basis of Araki’s, Teller’s or Richardson’s renow­ned photographs.

FAIR

Raster na wir­tual­nych tar­gach FAIR: Slavs and Tatars, Zbigniew Rogal­ski, Janek Simon, Karolina Jabłońska.

Dominika Olszowy
Raster Gallery now represents Dominika Olszowy

We are pleased to announce that Dominika Olszowy has joined the group of artists represen­ted by the Raster Gallery.

Aneta Grzeszykowska
Face Book

The new photography series by Aneta Grzeszykow­ska is another radical self-​portrait of the artist. The point of depar­ture this time is 19th- and 20th-century photographs documen­ting psycho-​physiological experiments on the human body and the medical archives.

Marcin Maciejowski
It’s legal. Are you in?

Janek Simon
Synthetic Folklore

Simon fed geo­metric textiles motifs from all over the world into a com­puter and “trained” the neural network on this database. The algorithm “lear­ned” to produce new pat­terns and ornaments, no longer crafted by man but by an artificial intelligence.

Karolina Jabłońska
Broken sculpture (self portrait)

Karolina Jabłońska
Makeup

Dominika Olszowy
Household Spirit

Olszowy balan­ces on the border between sculp­ture, instal­lation and scenography. Her works allude to domestic space as charac­terized by con­flic­ting emotions: a sense of com­fort and fear, solace and suf­focation, repose and paranoia.

Dominika Olszowy
Peep Show

Crooked and twisted cement clothes hung in the gal­lery win­dows as if it was a display of a liquor store.

Dominika Olszowy
The Wake

Two-part instal­lation entitled The Wake resem­bles the visualisation of a dream with a motif of a ceremony dedicated to bid­ding farewell to a depar­ted person, and relief and con­solation for those who say good­bye to her loved ones.

Dominika Olszowy
Waiting for the Rest

The instal­lation is an attempt to „domesticate” the fear of death and of places dedicated to it. It grew from the existen­tial dread mixed with a desire for a long-​awaited rest.