In a series of objects titled Pipes gold screws drill through bones in a melodious embrace.
In his work, Oskar Dawicki toys with extreme emotions. The artist directs an encounter between wild animals and the tool of their potential annihilation.
71 lamps and spotlights illuminate the empty corner of the exhibition space.
In the third Warsaw edition of the Friend of a Friend project, Galeria Raster, along with The Breeder from Athens and Sophie Tappeiner from Vienna, is presenting an exhibition confronting the nature of pain and discomfort.
The sculpture shows a state of suspension, half existence, half non-existence. This unusually difficult maneuver of the mind, in which you have to cope with the transition from one state of being into the next
The artist shows an illustration of the dopamine flood of our mesolimbic system in the form of a still life.
As in Brzeski’s earlier works, also here the sculpture is strongly related to the drawing. The artist uses stains and lines, and what is figurative intertwines with abstract forms.
Home objects deprived of their home context suddenly seem quite familiar at the same time and yet unfamiliar, close, but impossible to assign to specific memories.
Stiff Milk is a breakfast cup in which the milk stood on end, creating a surprising, sculptural study.
The latest, typo-photo-graphic performance by Aneta Grzeszykowska is an up-to-date political choreography. Using excerpts from her film works, the artist prepared an effective screenprint.
A work by Zbigniew Rogalski, Tears (2018), has joined the collection of the Palm Springs Art Museum in California.
EXHIBITIONS IN POLAND
Joint paintings by Tomasz Ciecierski and Przemysław Matecki are presented at Galeria Wizytująca in Warsaw.
A short film starring Olaf Brzeski, dedicated to the exhibition Adventure presented at Raster.
Among the latest works by Olaf Brzeski presented at the Adventure exhibition, there is a short series of intimate objects with a decorative and functional character. These are original, ceramic vases with attached ashtrays.
At the Kunstmuseum Luzern, you can see a joint exhibition by Michał Budny and Vittorio Santoro entitled Sculpture / Sculpture.
Original posters by Edward Dwurnik from the 1980s, which accompanied individual shows by the artist. The expressive style of these works and the spareness of their printing perfectly capture the specific climate of the crisis decade of martial law, strikes, and the dawn of the Polish transformation.
Stasik’s paintings essay a return to a lost, supra-sexual unity. The guides along this path are the caretakers from the title: female figures of shamans, seducers and syrens. The exhibition Protectresses is the first individual presentation of the artist’s works in Warsaw.