The album published by the German collector of Polish art, Osman Djajadisastra, contains reproductions of all existing works from the most famous painting cycle of Edward Dwurnik.
A series of black and white photographs showing figures “found” in the shape of branches, made of sticks, grasses, hay.
exhibitions in warsaw
We want to invite you to the exhibition that presents a collection of unique suits made by Bytom tailors in cooperation with outstanding Polish artists.
exhibitions in warsaw
Painting is dirty work. We are reminded of this first by the paper towels—the latest painting series by Rafał Bujnowski. Classic motifs emerge from the black splotches of paint left by the brush when wiped routinely on paper towels.
warsaw gallery weekend 2019
This exhibition designed especially for the Raster space peers out from a dark lining of domesticity. Using hybrid objects and sculptures, disturbing images and mysterious passages, Olszowy creates her own vision of home.
ART FAIRS 2019
Raster at COSMOSCOW fair: Lev Povzner, Aneta Grzeszykowska, Olaf Brzeski, Slavs and Tatars
The newspaper headline tells us: “Noblesse oblige, précariat exige” – nobility obliges, precariat requires.
In the X series called “Cross”, Dwurnik deals with Christian and passion issue. The painting is a dramatic visualization of the passion of Christ in the 20th-century reality.
“Mama” is the latest series of photographs by Aneta Grzeszykowska, who presents her daughter in the activities with silicone sculpture-doll – a hyper-realistic image of the head and body of her mother-artist.
Portraying a couple of people returning home after work, Edward Dwurnik blurs the boundary between what is lofty and banal, symbolic and prosaic.
The painting belongs to the Workers series, in which Dwurnik portrays the “working class” of the PRL times.
The painting belongs to the Sportsmen series. Edward Dwurnik does not avoid bluntness and naturalism.
A view of the surrounding reality from the perspective of a drunk man kneeling alone in the crowd
Artist’s self-portrait in which he performs the act of his own decapitation.
In his drawings and collages from the To the end series Edward Dwurnik presents the mental landscape of national streets and backyards. Aggression and sexism are pushing men like a well-oiled machine.
(Polski) Serdecznie zapraszamy na wystawę inaugurującą stałą reprezentację spuścizny Edwarda Dwurnika przez galerię Raster. Wystawa przygotowana została we współpracy z Fundacją Edwarda Dwurnika, założoną przez spadkobierców artysty.
The main prize of the Views 2019 was awarded to Dominika Olszowy for her installation and video shows: The Wake. Congratulation! The exhibition will be open untill 30.06.2019. An audience award winner is additionally selected in a general vote that concludes with the exhibition.