Fulfilling the long-held dream of a garden in the gallery, we invite visitors to a meadow where wildflowers mingle with weeds, day with night, art with the memory of art. In the exhibition we show the latest works by Michał Budny, Oskar Dawicki, Edward Dwurnik, Milena Korolczuk, Przemysław Kwiek, Marcin Maciejowski, Przemysław Matecki, Bartek Materka, Cyryl Polaczek, Zbigniew Rogalski, Łukasz Rusznica and Maria Szkop.
Michelle Rawlings’ new image is a painterly processing of a specific field of visual culture, contemporary fashion photography and outfits alluding to historical clichés of girlishness.
Skinformer by Aneta Grzeszykowska offers a radical elaboration of earlier soft sculptural objects created by the artist, a phenomenal view into the separate existential universe created by her.
Zofia Rydet’s photomontages from the World of Feelings and Imagination series are presented at the most important Asian biennial in Gwangju, Korea.
The exhibition of Aneta Grzeszykowska, Zina Isupova, Karolina Jabłońska, Emilia Kina, Małgorzata Mirga-Tas, and Michelle Rawlings. The exhibition looks at the other side of the images and reveals the forgotten physical and functional qualities of the canvas and the original role of the fabric — the material from which clothes are made.
EXHIBITIONS IN POLAND
The exhibition Reality Rifts at BWA Zielona Góra is the second joint exhibition by Przemysław Matecki and Paweł Althamer after the Family at the Jerke Museum recently.
In a series of objects titled Pipes gold screws drill through bones in a melodious embrace.
In his work, Oskar Dawicki toys with extreme emotions. The artist directs an encounter between wild animals and the tool of their potential annihilation.
71 lamps and spotlights illuminate the empty corner of the exhibition space.
In the third Warsaw edition of the Friend of a Friend project, Galeria Raster, along with The Breeder from Athens and Sophie Tappeiner from Vienna, is presenting an exhibition confronting the nature of pain and discomfort.
The sculpture shows a state of suspension, half existence, half non-existence. This unusually difficult maneuver of the mind, in which you have to cope with the transition from one state of being into the next
The artist shows an illustration of the dopamine flood of our mesolimbic system in the form of a still life.
As in Brzeski’s earlier works, also here the sculpture is strongly related to the drawing. The artist uses stains and lines, and what is figurative intertwines with abstract forms.
Home objects deprived of their home context suddenly seem quite familiar at the same time and yet unfamiliar, close, but impossible to assign to specific memories.
Stiff Milk is a breakfast cup in which the milk stood on end, creating a surprising, sculptural study.