WARSAW GAL­LERY WEEK­END 2023

Janek Simon
SIXTEENTH WORLD

The work of Janek Simon grows out of experien­ces of travel between diverse cul­tures, economies and visions of the future, which the artist com­bines using innovative digital tools and DIY practice. The sculp­ture series “Meta Folklore”, executed over the past two years, is an artistic, tech­nological and political fantasy—a vision of a new, univer­sal art created using artificial intel­ligence fed by a database of thousands of non-​academic sculp­tures from all over the world.

WARSAW GAL­LERY WEEK­END 2023

Oskar Zięta
COURTYARD SCULPTURES

Oskar Zięta’s design prac­tice derives from a moder­nistic ethos of innovation and tech­nology which drives aesthetics. The point of depar­ture for the project prepared especially for the Raster Sculp­ture Garden is the figure of the rug-​beating frame typically found in the cour­tyard of a housing com­plex, from which the artist explores a sur­prising space between func­tional garden fur­niture and an abs­tract, futuristic spatial forms.

EXHIBITIONS 2023

Alicja Pakosz
VORTICES

The first individual show at Raster by Alicja Pakosz (born 1996) is a nar­rative woven around the figure of a toxic landscape—obsessively retur­ning as a clas­sic motif from the history of pain­ting and also a vision evoking fear, an under­lying anxiety. An image appearing in the least expec­ted moment like hal­lucinations pres­sing under the eyelids. Something morbid and not entirely benign. The artist plays out this story like film frames in a series of pain­tings in two dif­ferent scales and a fully-​formed diorama.

EXHIBITIONS 2023

Zofia Rydet
ENDLESSLY DISTANT ROADS

Zofia Rydet (1911–1997), creator of the iconic Sociological Record and the fan­tastic World of Feelings and Imagination, was an artist gifted with a sense for observing the entropy of the world around her. This excep­tional photographic per­spec­tive is revealed in all its power in the series Endles­sly Distant Roads, executed in 1980. In the exhibition at Raster, we present a selec­tion of 40 photographs from this unusual and rarely shown collection.

2014 exhibitions

Lukáš Jasanský, Martin Polák
TRUE AND CLEAR PHOTOGRAPHY

(Polski) Wystawa prezen­tuje fotografie dwójki pra­skich artystów – Lukáša Jasanský i Mar­tina Poláka – którzy od 1985 roku wspólnie testują konwencjonalność medium fotograficz­nego. Ich prace czerpią zarówno z tradycji sztuki kon­cep­tual­nej jak i klasycz­nej fotografii studyj­nej, krajobrazowej czy ulicz­nej, nie­zmien­nie przy tym uwodząc sub­tel­nym poczuciem humoru. Ludzie podglądani na ulicy i staran­nie kom­ponowane, choć bardzo codzienne martwe natury – zwyczajność staje się tu przed­miotem wysmakowanej gry. Prowadzi ona do zaskakujących, estetycz­nych przygód, ale i bar­dziej general­nej reflek­sji na temat istoty fotografii, jej relacji do rzeczywistości, funk­cji dokumen­tal­nej i kreacyjnej.

2014 EXHIBITIONS

Cipedrapskuad, Honorata Martin, Dorota Masłowska, Maria Toboła
SOCIETY IS MEAN

This exhibition takes place in a coun­try whose society has a rather poor opinion of itself. The society is mean, the society is aging, and the force which is driving us toward all this is the progres­sive stabilization, which seems to have effec­tively conquered us after years of figh­ting on various fronts. Life in Poland has become ter­rifyin­gly ordinary. The works making up the Society Is Mean exhibition are not essen­tially asocial, but they do bril­lian­tly render the distance between the individual and the society around him or her. The artists whose works we are presen­ting give us a wholesale revision of this con­sen­sus; the sphere of their con­fron­tation with society is its lan­guage, its living space, and its dominant, stereo­typical inter­per­sonal relationships.

RASTER EDITIONS


Larry Nixed, Trachea Trixed

Larry nixed, Trachea trixed looks at various attempts to Cyril­licize sounds or phonemes that did not previously exist in the Rus­sian Cyril­lic alphabet, one of many attempts to extend or embed Soviet influence.